Page 45 - World of Art magazine (2000)
P. 45

chang sang-eui   south korea



         eDuCATiOn 1963 B.F.a in painting of Fine arts, Seoul   Hamburg  Germany;  The  2nd  international  ink-wash   prize,  exhibition  Sponsored  by  Ministry  of  culture  &
         National university.               painting  SHeNZeN  ’92  Shenzen  china;  international   information  Korea;  1st  prize,  National  exhibition  by
         PReSenT professor, Taegu arts university.  Water color arts exhibition in china; The 1st exhibition   pusan city Korea; Grand prize, Hankuk Fine arts Grand
         gROuP  eXhibiTiOnS asian Modem arts exhibition in   of  the  Korean  &  china  arts  association  Seoul,  Korea;   prize Sponsored by Hankuk Daily News
         Tokyo Japan; Seoul contemporary arts Festival Seoul,   Seoul 600 international arts Festival, National Museum   POSSeSSiOn Of WORkS Metropolitan Museum Seoul;
         Korea;  invited  by  Miltnster  city  of  Germany  to  take   Seoul,  Korea;  Münchener  Kunstlesmesse  München   Korean  National  Museum,  Seoul,  Korea;  The  ”Ho-am”
         part  in  the  meeting  West  and  east’  exhibition;  ”light   Modern,  München  olympiade,  München,  Germany;   Gallery  Korea;  Taegu  culture  &  arts  center  Korea;
         from the east” Berlin, Germany and Budapest, Hungary;   exhibition of contemporary Korean painting, art Gallery   pusan Nongshim arts center, Korea; university of Köln,
         contemporary  arts  Festival,  National  Museum  of   of Korean culture & arts Foundation china; international   Germany.
         Modern arts Seoul, Korea; 100 artist invitational arts   Women’s  exhibition,  Budapest,  Hungary;  arts  affairs   ADDReSS TAegu ARTS univeRSiTy San 117-6 Daboo-ri
         exhibition Seoul, Korea; 3 artist invitational exhibitions   Frances; 1st SHeNZeN - iNK - Wash painting Biennale;   Kasan-myun,  chiigok-kun  Kyungsang  Buk-do  718-910
         at  K.B.S.  TV,  Seoul,  Korea;  Seoul  exhibition  of  Korean   11 inDiviDuAL eXhibiTiOnS.  South Korea Tel 82. 545. 973. 5311 (ext. 130.134)
         contemporary  painting,  Seoul,  Korea;”light  from  the   AWARDS 1st  prize, Modern  arts  invitational  contest   ADDReSS Yak- soo mansion c-702 Sangdo-4dong, Dongj
         east” ii, Russia; The ’91 Hamburg international art Fair   Sponsored  by  chosun  Daily  News,  Seoul,  Korea;  2nd   ak-ku, Seoul 156-034 South Korea Tel 82.2.823.0821

          WoRDS BY chang sang-eui, PhiLOSOPheR Of kOReAn Ph.D., hARvARD univeRSiTy

               W i n D   A n D  S O u L

                                                                                     nº 4
                        he korean                                                    1995 OiL On CAnvAS
                        word for wind                                                97 X 91,5 CM /
                                                                                     38¼ X 36 in
                        is param,
                Twhich was
               used as the name of God
               in archaic Korean.
               Pararm, together with
               sin, which means the
               spirit, forms the word for
               “excitement”. Param is
               also an etymological root
               for many words related
               with love and romance.            unTiTLeD
               Love is the extremity of          1997 OiL On CAnvAS
                                                 180 X 130 CM /
               irrationality. However, it        70¾ X 51¼ in
               is the divine act, and it is
               ultimately transrational.

                         hang tries to
                         depict an
                         indigenous
                Cspirituality in
               the world of Wind.
               Therefore her paintings
               are motivated by
               shamanic movements.
               The colors she adopts for
               the movements are
               primitive and indigenous
               to Korean sentiments.
               Such primitivity does not
               accompany Discord. If
               there is Discord, it is                                               nº 1
                                                                                     1998 OiL On CAnvAS
               only for the Harmony of                                               180 X 130 CM /
               the whole.                                                            70¾ X 51¼ in

                    like her painting
                    because it is
                    simple, and it
                I es the bifurca-
                    defi
               tion of Form and
               Non-Form. Her mask
               exists only for maskless
               primitivity.


                                                                                       Special iSSue 2000     WORLD of ART       43
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