Page 51 - World of Art magazine (2000)
P. 51

palmi marzaroli   switzerland


         biOgRAPhy Was born in 1962 in Vevey Switzerland.  printemps, Galerie d’arfi Denges lausanne Swirzerland;
         Self-taught artist. in 1980 began sketching and painting.   1994  Galerie  du  casino  Montreux  Swirzerland;  1994
         Since 1991 exhibit regulary in various european countries.   exposition collective, Mines & Salines de Bex Swirzerland;
         in recent years, his painting research is essentially based   1994  exposition  collective,  Galerie  art  Top  Montreux
         on the various expressive alternatives, of china ink, using   Swirzerland;  1995  Retrospective,  Galerie  du  pressoir,
         a very personal technique. He presently lives and works   ecublens,  lausanne  Swirzerland;  1995  exposition  d’art
         in leysin Switzerland.             contemporain,  Neuchâtel-art,  Neuchâtel  Swirzerland;
         eXPOSiTiOnS  PRinCiPALeS  1991  atelier  d’avô,  Broc,   1995 Retrospective, atelier 11, Montreux Swirzerland; 1996
         Fribourg  Swirzerland;  1992  exposition  collective  d’art   exposition collective, Museo civico Troia italy; 1997 centre
         contemporain sur le theme ”la philosophie”, université   les airelles. concert-expo, leysin Swirzerland; 1998 prima
         de Fribourg Swirzerland; 1992 Galerie du pressoir, ecublens,   Biennale internationale d’art contemporain, Trevi Flash art
         lausanne Swirzerland; 1992 6ème Salon international des   Museum palazzo lucarini Trevi italy; 1998 The 1st autumn
         arts, palais des congrês de liege Belgium; 1993 exposition   annual  in  Venice,  palazzo  correr,  Venezia  italy;  1999
         collective,  Galerie  patrice  alexis,  Thonon  France;  1993   Biennale internazionale dell’arte contemporanea, Firenze,
         1er    Salon  international  des  arts,  abbaye  de  Floreffe   italy; 1999 The 1st Spring annual in Venezia, palazzo correr
         Belgium; 1993 4ème Salon international des arts, centre   Venezia  italy;  1999  The  2nd  autumn  annual  in  Venice,
         culturel  Hollerich  luxembourg;  1993  16ème  Salon  de   palazzo correr, Venezia italy.
                                                      ADDReSS: ciMe De l’eST a 25 cH-1854 leYSiN ( VD) SWiTZeRl aND Tel +41 24 4942951













                                                                                          Rêve D’un PAySAge
                                                                                          1999 ink On PAPeR
                                                                                          30,5 X 24 CM /
                                                                                          12 X 9½ in
                                                                                          feMMe nue
                                                                                          1999 ink On PAPeR
                                                                                          46,5 X 32 CM,
                                                                                          18¼ X 12½ in







           ARTiST TalK


           I consider myself to be a figurative   nourishing than accomplishing   moved by music and philosophy and
          artist as I am inspired by reality, but   something, which gives complete   then later inspired by a few famous
          always leaving space to explore    satisfaction. My painting has brought   men renowned for their magnificent
          alternatives to reality, deep reflections    me everything I need to survive.   and spiritual minds. There is, of
          or thoughts from my mind lived or   Painting is like learning; it is a way of   course, the genius of Mozart & the
          dreamed. Through my paintings I can   experiencing liberty whilst living in   worldly vision of Schopenhauer, but I
          psychologically and physically express   reality.                      think for me it has been more impor-
          my perception of the world and my    The market value affects the artwork   tant to look beyond the obvious as
          way of understanding it. A painting is   when commercialism imposes itself   things are not always as they seem to
          often represented by its intelligence   upon the artist, but I do think that it   be. Certain people do not understand
          and its sensitivity.               is normal that the price of artwork   my work and even underestimate it. Is
           If we consider that in life we are in a   certainly should increase with the   it really necessary for an artwork to
          perpetual conflict, then art can take   experience and evolution of the artist.  be explained?
          us to a higher level of consciousness.   Every artwork reveals a story   I feel it very important for an artist
          Art is a language without limits; it is   whether it is true or fictional. Each   to participate in events as it allows
          born through the liberty of one    element within a painting tells its own   him to share his artistic ideas, express
          expressing himself. Art is the expres-  story, but also plays a part in the   himself and to meet a world of people
          sion of all cultures. Art may be   creation and life of the painting. I feel   with an equal passion for art. The
          admired or despised; it remains a   that an artwork is completed when the   media will always continue to give
          perpetual memory in the mind.      depth of the raw material has reached   their opinion on contemporary art;
           Any form of art is a continuous   its highest level of expression.    negative or positive, I will always
          apprenticeship. Nothing in life is more   During my initial years I was firstly   follow my path of believing in my art.


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