Page 72 - World of Art magazine (2000)

art addiCtion sweden
marta dimitresCu

Born 1955 August 4, Cluj-Napoca, Transylvania Romania. Int’l Print Triennial, Fredrikstad Norway; 1989 Individual and Alternative Poetry Mexico City, Puebla, Xalapa City,
edUcation Graduated from the Fine Arts Academy of Exhibition, Orizont Gallery Bucharest Romania; 1988-The Mexaly, Ensenada, Tijuana, Veracruz, Mexico; 1987 The
Cluj-Napoca Romania. Her artworks is characterized by 2nd Int’l Exhibition of Visual and Experimental Poetry Int’l Print Biennial, Campinas, Sao Paulo Brazil; 1987 The
intensity and passion including paintings, drawings and San Diego uSA; 1988 The 2nd Annual Int’l Exhibition of National Graphic Art Exhibition, Dalles Gallery Bucharest
etchings. Miniature Art Toronto Canada; 1988 The 4th Norwegian Romania; 1986 The 12th Int’l Biennial of Print kanagawa
afiliationS 1990 1883 kRO /Swedish Fine Artist’s Int’l Miniature Exhibition, Miniature 4, Fredrikstad Norway; Japan; 1986 The Int’l Watercolor Contest ”Sinaide Ghi”
Organisation; Permanent member of AAIAA /Art Addiction 1988 The National Graphic Art Exhibition, Dalles Gallery Rome Italy; 1986 The 1st Int’l Art Exhibition ”Arts of Today”
International Art Association; Permanent member of Bucharest Romania; 1987 The 17th Int’l Biennial of Graphic Budapest Hungary; 1984 Contemporary Art Exhibition,
uAP /Romanian Fine Artist’s Organisation; Permanent Art Ljubljana Slovenia; 1987 Int’l Exlibris Competition, The Hague Holland; 1984 Contemporary Art Exhibition,
Member of the Art addiction International Honorary Prize Sint-Niklaas Belgium; 1987 The 8th Int’l Graphic Triennial Jerusalem Israel; 1983 Contemporary Art Exhibition,
Jury; emploYment Founder and owner of MD Gallery ”Intergraphic” Berlun Germany; 1987 The 5th Int’l Biennial New york, Washington, Detroit, Columbus, uSA; 1983
for Contemporary Art. of Graphic Art Lods Poland; 1987 The 4th Int’l Art Biennial Contemporary Art Exhibition, The Hague Holland; 1983
exhibitionS 1981 - 1993 1993 /2000 Internet Art Museum Couven Belgium; 1987 Int’l Art Exhibition Osaka Japan; Int’l Art Exhibition, La Rochelle France; 1982 Individual
/www.artaddiction.se; ”Alternativ” group exhibition, 1987 The 2nd Int’l Art Exhibition ”Arts of Today” Budapest Exhibition, Hanul cu Tei Gallery Bucharest Romania;1982
Gallery Glass I, Stockholm Sweden; 1993 Int’l Summer Hungary; 1987 The 1st Annual Int’l Exhibition of Miniature Contemporary Art Exhibition The Hague Holland; 1981 The
Art Colony, Gällivare Sweden; 1989 The 9th Norwegian Art Toronto Canada; 1987 The 2nd Int’l Biennial of Visual 2nd Int’l Drawing Triennale, Wroclav Poland.

abStract painting iii
abStract painting i abStract painting ii 1999 mixed media
1999 mixed media 1999 mixed media on canVaS
on canVaS on canVaS 46 x 38 cm /
50,5 x 40,5 cm / 48 x 38 cm / 18¼ x 15 in
19¾ x 15¾ in 19 x 15 in
WORDS By horea horSia, ART CRITIC

arta Dimitrescu intro- artist’s responsiveness. Thus, ship set between light and
Mduced herself as a on the one hand there are motif. On the other hand,
most talented painter who several things that have been there are a few things highly
attempted to approach reality removed suchas strict subjects cherished the accuracy to
imposing on it strict geometri- and their specific features, the create a familiar environment
cal rules of shape and color. local color, the materializa- that undeniably belongs to
Her present prove a basic tion of surfaces, the relation- nature, the maintenance of
tendency towards what I proportions between forms
should call “the appeal to and colors.
nature”, since nature is for The painting drawings
Marta Dimitrescu vitally achieve unpredictable optical
essential. effects resulted from the
Therefore, the artist who whirling and flowing in quick
has primarily enforced her sequence of colors, from the
strict rules upon reality sub- effective superposition of sur-
sequently re-creates it, grasp- faces and planes that build up
ing its vital force of matter a coherent visual system.
and color. The creative work The imagery of Marta Dim-
is carried on within nature’s itrescu is a balanced and
frame, complying with the eloquent synthesis between
traditional device of “painting motif, artistic insight, and
on the spot.” It engenders an chromatic matter. The bend
image of nature as it is per- towards nature signifies a real
ceived and re-shaped by the gain for the painter at this
stage of creation.

70 World of art SPECIAL ISSuE 2000