Page 90 - World of Art magazine (2000)
P. 90

a r t i s t s o f to d ay
         later on, in gazzera’s pictorial production the ”gigan-  kim SOOk chA   uSa  diminishing its military function while increasing
           tic flowers” turned into ”flying flowers”: enormous                   its artistic resonance. as an associate of the crew
           corollas hanging in the blue sky. they take into   originally from choong-Joo in central Korea, where   i submerged several times in the craft (that was in
           consideration a new dimension of space, becom-  she began painting at age 5, Sook-cha Kim   the arctic ocean).
           ing cosmic flowers and throwing present taste for   became a registered nurse and midwife in Seoul.   Furthermore, i am also concerned with the prep-
           future.                            while studying anatomy and autopsy at the   aration end implementation of installations that
         afterwards, they metaphysically take sometimes-  Seoul national university School of medicine, she   explore the interconnections of concrete artistic
           human appearances. their body is human, but   earned a Bpa and a mFa. in oil painting (with   objects, including underwater apparatuses that
           there is a flower instead of their head. it’s the
                                                                                 may have no utilitarian meaning (e.g. in the lisbon
                                              emphasis in anatomy for art) from the horig-ik
       on  course of the ”talking flowers” where flowers   after immigrating to the u.S.a. in 1973, Sook-cha Kim   addreSS pokrovskij blvd. #18/15 st 2 ap 29 a,
                                                                                 pavilion 1998).
                                              university School of art.
           live a dimension of human sensitivity, rejoice and
           suffer as human beings they represent do. in par-
                                                                                 moscow russia, tel +7 95 9172669, fax +7 95
                                              continued her study of oil painting at the corcoran
           allel to neo-floral current, in gazzera’s work you
                                                                                 9172669
                                              School of art. She also added to her experience
           can point out other periods: the ”fruits in the
           open”, the enigmatic ”military dummies”, the ”big   by copying masterpieces at the Smithsonian art
                                              galleries.
       C   medals” laying on unreal places, the ”epoch cars”,   Sook-cha Kim was awarded the gold medal-art
           ”my côte d’azur” e in his last romantic period
           ”lovers, clouds and brooms”.       addiction international prize (1997) at the most tal-
                                              ented artiste competition in Stockholm, Sweden.
       i  addreSS piazza Vittorio Veneto, no. 16 bis, it-10123   She is currently an artist in the new art interna-
           torino italy tel +39 011 8122443.  tional 1997 edited by Book art press.
       x                                    page 26:
                                            ThROugh, 1998 acrYlic on canVaS 20 x 16 cm. / 8 x 6¼ in.
       e
                                            LORenZO ALBeRTO   uruguaY
       l                                    lorenzo Sacne albeto José, artista plastico, uru-
                                              guano, ascendencia espaniola, nacido en monte-
                                              video 1942. cursos: Fac. arquitectura, escuola   OBJecT-AcT, nORTheRn TRAce Of LeOnARDO, 1997 mixed
                                              nacional de Bellas artes, uruguay; national acad-  media, painted naVal SuBmarine, the arctic ocean
       t                                      emy of Fine arts, new York. disenador estampado
                                              textil industrial. realizó más de 130 exposiciones
                                              collectives y 30 individuales en uruguay, españa,   PRieSTneR miLeS STeVe    great Britain
       r                                      israel, estades unites, argentina, Brazil, cuba, etc.
                                              reside asociation de plasticos /aSpu) y dirige   1954.05.01 born in altrincham, manchester.
                                              espacio radical cultural. recore principales cen-  Studies 1972-1974 manchester polytechnic, manches-
       a                                      tros culturales del mundo: norte america, russia,   ter. 1978 / 1979 Beaux arts, paris France.
                                              Bulgaria, grecia, turquia, israel, africa, Seychelles,
                                              india, nepal, thailandia, china, Japon, caribe,   the creative work is devoted to oil on canvas, poly
                                                                                 filla cement on wood, drawing, give rock texture,
                                              centro y Sud america. inclinado al realismo,   painting, paints on the back of Billboard posters,
                                              Surrealismo, e hiperrealismo, su pintura destaca   large works in drip style, etc. purchases of art-
         huiTZiLOTZLi Sin POPOcATePeTL, acrYlic on canVaS 80 x 80 cm
       y  / 31½ x 31½ in                      paisajes urbanos, tema sociales (marginados,   works are in the museum and in private ownership
                                              caichos, carnaval) en óleos sobra tela, fibra v/o
                                                                                 collection in Belgium, germany, Sweden, and uSa,
         fRieDeBeRg PeDReO   mexico           collage. premiado varias veces eb´n uruguay y   Selected group exhibitions Since 1979 participated
                                                                                 great Britain.
       ar  the work of pedro Friedeberg includes architecture,   ecciones privadas de uruguay, argentina, Brasil,   in national and international group exhibitions:
                                              eeuu. Sue cuadros forman parte de museos y col-
                                              Venezuela, italia, cuba, espana, eeuu, peru, israel,
           painting, sculpture, furniture and set design.
                                                                                 Sweden, italy, Spain, great Britain, uSa etc. 1998
                                              alemania, etc
           although his formal background is in architecture
                                                                                 Flash art museum, italy; 1997 ii Salo international
           and the applied arts, Friedeberg has often deliber-
                                              tevideo 11100 uruguay, tel +1 59 82 9004661
           ately pushed the limits of functionalism.  Studio wilson Ferreira aldunate 1295 ap. 801, mon-  d’artistes, Barcelona Spain; 1998 the 1st autumn
                                                                                 annual in Venice, palazzo correr, Venice italy; 1999
       or  to german-Jewish parents who left germany to   POnOmARYOV ALexAnDR eVgenieVic   ruSSia  honors diploma of excellence, the 1st autumn
         pedro Friedeberg was born in Florence, italy in 1936
                                                                                 the 1st Spring annual in Venice, palazzo correr,
                                                                                 Venice italy.
           escape the war. three years after his birth, he
           moved with his mother to mexico.
                                                                                 annual in Venice, palazzo correr, Venice italy

         Friedeberg’s work is product of highly conscious, if
                                                                                 1998.
           not self-conscious, thought. when asked about   1957 born in dniepropetrovsk, russia; 1973 finished   member of associations 1999 aaiaa art addiction
                                              art school in oryol, russia; 1979 finished college
       p   being a surrealist he replied, ”my work is maybe   of naval engineers in odessa russia.  publications 1999 2000 new art international (new
                                                                                 international art association
           more decorative. the surrealists were more into
           profound dreaming, into the absurdity of things.   collectionS State tretyakov gallery, moscow   York) who’s who in art, the 28th edition.
                                              russia; rF ministry of culture, moscow russia;
       m   But, i think my work is also criticizing the absurdity   incombank moscow russia; centre of contem-  represented 1999 2000 art addiction internet art
           of things.”
                                                                                 museum www.artaddiction.se/aaiaa_priest.htm
         what is yet to be discovered or perhaps rediscovered   porary art moscow russia; museum of Fine   addreSS 17 Stamford park rd., altrincham, man-
                                              art, oryol russia; artistic culture centre Kiev,
           in relation to Friedeberg’s art is the unabashed   ukraine; collection of the grand duchess of   chester wa15 9eh great Britain tel +44 161
       e   desire and self-fulfillment that comes from the   luxemburg; national museum Singapore; Founda-  9290293.
           experience of being in the presence of gorgeous   tion F.r. weisman, los angeles uSa; Jüdisches
       t   objects. his negation of analytical theory, mono-  museum ruheinsburg, germany; Zimmerli art
           theism and politics gives his work poignancy
           today. in a world where everything is highly politi-  museum, rutgers university, new Brunswick uSa;
                                              universitat Juan i, castellon de la plana, Spain;
           cized and moralized, down to the type of deter-
       on  gent we use, Friedeberg reminds us that real life   Selected exhiBitionS 1990 hermitage gallery,
                                              private collection in russia, germany, Spain, italy,
                                              luxemburg, Singapore, uSa, poland, denmark,
           should sometimes, if not at all times, be some-
                                              Switzerland, France.
           thing more than real. moreover, that life should
           surpass the tedious morality of our day. Friede-
           berg allows us to transcend our own existence   center of contemporary art moscow; 1991 ost
                                              and Vest gallery, copenhagen, denmark; galeria
           through the experience of the potentially stunning
       C   everyday.                          espai 29, castellon de la palma, Spain; 1993 gale-
         addreSS:                             ria 6 de Febrero, Valencia, Spain; 1996 resurrect-
                                              ing Ships; State tretyakov gallery, moscow russia;
                                              Kino gallery, moscow russia; 1998 art project and
                                              installation in russian pavilion expo 98 lisbon,
                                              portugal.
                                            recently i have been giving particular attention to
                                              the artistic issues contacted with the boundaries
                                              between active environments (e.g. the ocean and
                            RecReO 5 A
                                              dry land). correspondingly, i have been undertak-
                           37700 gTO.
                           mexicO
                                              ing actions, including the painting of shipwrecks,
                           SAn migueL ALLenDe
                                              a procedure that, as it were, reanimates these
                                              derelicts by imbuing them with a new, cultural sig-
                          TeL /fAx 415 23130
                                              nificance. a recent recipient of my artistic actions
                                              was a real naval submarine that i painted, thereby
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