Page 191 - "he 2020 Guggenheim issue of World of Art Contemporary Art Magazine
P. 191

KOIRUUKSIA (DOGGIES), MIXED TECHNIQUE 51.8X36.2 IN. | 130X92 CM.  Art education Vapaa Taidekoulu (Free Art School),
                                                              Helsinki, Finland. I use a variety of techniques and mixed
        INVITED ARTIST                                        techniques in my paintings. My painting subjects are
         PÄIVÄUNET (NAP), MIXED TECHNIQUE 51.8X36.2 IN. | 130X92 CM.
                                                              nowadays color paintings containing hidden figurative
                                                              animal figures and myths.






                                   PENTTI SAKSALA

                                   Lives and works in Kirkkonummi, Finland
                                   https://kuvataiteilijamatrikkeli.fi/taiteilija/pentti-saksala



         All contemporary art, in fact, is
         nothing other than a reflection of the
         idea or philosophy of a transversal,
         complex and at times even
         incomprehensible (if superficially
         interrogated) cultural era. This is why
         it seems ever more willing to provide
         innovative spatial dimensions, new
         temporal dynamics. It attempts
         to represent the interior world
         of man. It simulates the feelings,
         sensations, emotions that he would
         be experiencing if he were faced
         with his own thoughts and wanted to
         completely traverse these thoughts.
         A work of art is thus the end result
         of a specific process – possessing a
         specific form and aesthetic, it serves
         no purpose except that of channeling
         a very specific form of energy. It
         is always a sort of communicative
         performance. It allows man to plumb
         his own conscience and to void it. In
         fact, it is only within empty spaces
         that energy is able to unleash its
         own creative force. Consequently,
         by asking how to develop this energy
         in the face of the complexity of the
         world, questioning the need for free
         mental space, man is experiencing a
         journey where reality and the virtual
         go hand in hand: two dimensions
         which are no longer disjoined, in that
         the virtual is nothing other than an
         “as-if” reality.
            ©World Of Art magazine (Excerpt)


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