Page 64 - The MoMA/ Guggenheim issue of World of Art magazine (2001)

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OF THE SCULPTURE OBJECT TO WHICH MUSIC IS WHICH IS ABSTRACT WITH WARM COLOURS IS
+/,%+4)./ .%36*%3./
!#2),)15% 352 4!0)3 SOMETIMES ADDED )F WE SAY THAT THE 'RECO RESERVED FOR PRODUCING A PURELY SENSUAL
8 #- ž 8 ). 2OMAN WORLD EXPRESSES ITS BASIC SPIRITUAL FEELING )N CONTRAST TO THIS LET S SAY
3!2!*%6/
CONDITION THROUGH SCULPTURE #HRISTIANITY SENSUAL SECTION THERE IS WORD THE WORLD
LATER SHAPES ITS MEANING THROUGH PAINTING OF ABSTRACT MEANING )N COMMON USE THE
AND SECULAR SOCIETY EXPRESSES ITSELF THROUGH WORD IS SOMETHING ENTIRELY CONCRETE AND
THE FORMS OF MUSIC AND THE NOVEL THEN CERTAINLY MORE THAN THE PLAY OF COLOURS
THESE GENERAL ELEMENTS IN THE DEVELOPMENT CAN EXPRESS (OWEVER IN THE SENTENCE
OF ART SCULPTURE PAINTING MUSIC AND NOVEL CONTAINED WITHIN THE SQUARES OF #LARA
IN CONCEPTUAL WORK FORM THE FOUNDATION "LEIBTREU S INSTALLATION MEANING AND ITS
OF ONE POSSIBLE AWARENESS ONE POSSIBLE OPPOSITE ARE CONVEYED SIMULTANEOUSLY !
NEW ART AS A SYNTHESIS OF THE PREVIOUS CAREFUL OBSERVER WILL NOTICE THAT IN ONE PART
TRADITIONS )N THIS WAY THE CONCEPT OR IDEA OF THE SEQUENCE OF SQUARES THE COLOURED
IS CONVEYED THROUGH SOME KIND OF COLLECTIVE SECTION GRADUALLY BECOMES LARGER THAN
AWARENESS OF DOMINANT ARTISTIC PRINCIPLES THE SECTION WITH WORDS AND IN ANOTHER
OF THE PAST AND SO THE CONCEPTUAL WORK PART IT CONTRACTS (OWEVER THAT IS JUST
BECAUSE IT PREFERS SPIRITUALITY AND HISTORICITY ANOTHER PERSPECTIVE 4HIS RELATIONSHIP
TO THE SENSUALITY OF ART IS MORE AN ARTISTIC CAN BE EXPRESSED IN REVERSE DEPENDING
INSTRUMENT FOR UNDERSTANDING ITS OWN ON THE CRITERIA FOR JUDGEMENT COLOUR OR
MEANINGS THAN ART IN THE CLASSICAL SENSE OF WORD 4HUS THE PREFERENCE FOR GEOMETRICAL
THE WORD SHAPES IN WHICH THIS CREATION OCCURS
/ iÊܜÀ`ʜvÊ>LÃÌÀ>VÌʓi>˜ˆ˜} NAMELY THE RELATIONSHIP BETWEEN COLOUR
3O #LARA "LEIBTREU BOLDLY EXTENDS AND WORD CAN BE UNDERSTOOD PRECISELY
THE CONCEPTUAL SENSE OF HER INSTALLATION AS THE RELATIONSHIP BETWEEN THE RATIONAL
BEYOND THE SPACE IN WHICH IT IS LOCATED BY AND THE IMAGINATIVE THE COGNITIVE AND THE
CONNECTING IT TO THE RADIO )N THIS WAY SHE SENSITIVE !ND SO IF WE TRY TO SUM UP THE
EXTENDS THE MEANING OF HER INSTALLATION MEANING OF #LARA "LEIBTREU S INSTALLATION IT
BECAUSE BY ARTIlCIALLY CASTING IT INTO THE SEEMS TO ME THAT IT COULD SIMPLY BE PUT IN
DEPERSONALISED ABSTRACTION OF THE WORD THIS WAY IT IS A MODERN WORK OF ART WHICH
SHAPED BY RADIO SHE RADICALLY ESTABLISHES IMPLIES THAT ART IS A FORM OF HUMAN THOUGHT
SPIRITUALITY ITSELF AS A WORK OF ART #LARA /F COURSE IT IS NOT THOUGHT UNDERSTOOD
"LEIBTREU IN WHAT SHOULD BE TAKEN AS AS EMPTY INTELLECTUALISM THAT IS TO SAY
A SPIRITUAL POSITION OF GREAT SIGNIlCANCE VERBALISM BUT RATHER THOUGHT THAT REFUSES
UNDERSTOOD THE ESSENCE OF AN INSTALLATION TO BE WITHOUT CRITERIA AND THAT PERCEIVES
AS THE ESSENCE OF THE RELATIONSHIP BETWEEN ITSELF AS SPIRITUALITY UNDERTAKEN THROUGH THE
SPEECH AND PERFORMANCE THAT IS BETWEEN EXPANSION OF KNOWLEDGE AS A HYPOTHESIS
THINKING AND SENSUALITY )N THAT WAY THE AS WELL AS A WORK IN ITSELF /F COURSE THAT
HE EXPERIENCE OF MODERN ART SEEMS CRITERIA HAVE ALWAYS RESTED ON THE ABILITY OF INTERESTING IDEA WHICH lNDS ITS CONTENT ALSO THE FORM WHICH IS LEAST UNDERSTOOD AND ARTIST RECALLED THAT UNDERSTANDING AND DOESN T MEAN THAT THOUGHT IS DEPRIVED
TO BE MORE THAN EVER IN HISTORY AN A WORK OF ART TO EXPRESS SOMETHING TIMELESS IN THE EXPERIENCE OF CONCEPTUAL ART AND IF JUDGED FROM THE PERSPECTIVE OF CLASSICAL REDUCING A WORK OF ART TO PURE SENSATION OF SENSUALITY /N THE CONTRARY THE PLAY
4AMBIVALENT EXPERIENCE )T IS THE AND SO ART HAS ALWAYS BEEN CONSIDERED A IS LED BY THE BELIEF THAT IT IS POSSIBLE AND ARTISTIC EXPERIENCE MOST OFTEN FACES RADICAL THAT IS TO A STATE OF SENSUAL PLEASURE OR OF COLOURS PRESENTED SO WARMLY BY THIS
EXPERIENCE OF AN ABSENCE OF ANY CLEAR AND STATE OF SPIRITUALITY PAR EXCELLENCE (OWEVER FEASIBLE TO DO SOMETHING INCOMPATIBLE WITH REJECTION DISPLEASURE DESTROYS ART AND DETRACTS FROM INSTALLATION ALSO EXPRESSES THAT SENSUALITY
RECOGNISABLE SPIRITUAL STATE OF THE TIMES THIS SPIRITUALITY HAS ALWAYS BEEN REVEALED CONVENTIONAL ART 3IMPLY PUT IT IS ABOUT (OWEVER ONE SHOULD BEAR IN MIND ITS COGNITIVE AND SPIRITUAL DIMENSION 4HUS WITHOUT UNDERSTANDING AND SO WITHOUT
BUT ALSO THE AWARENESS THAT THE MEANING OF THROUGH THE UNMEDIATED SENSUALITY OF THE THE IDEA THAT WORDS EXPRESSIONS CAN THAT CONCEPTUAL ART AND AN INSTALLATION FOR #LARA "LEIBTREU THOUGHT AND SPIRITUALITY THOUGHT IS SOMETHING EMPTY AND RANDOM
MODERNITY CAN ONLY BE UNDERSTOOD THROUGH WORK OF ART )N CONTRAST AS THE BASIS OF SUCCESSFULLY REPLACE THE REAL PERCEPTION OF A WHICH BEARS THE MARK OF THE CONCEPTUAL PRECEDE AS WELL AS SHAPE THE WORK OF ART
THE DIFFERENT AND COMPLEX TRADITIONS WHICH ITS EXISTENCE MODERN ART TAKES NOT ONLY WORK OF ART IN OTHER WORDS THAT THE MEDIUM EXPRESSES IN THE FULL SENSE OF THE WORD THE 4HAT IS WHY THE RADIO CAN ACT AS #LARA
ENABLE THAT MODERNITY 4HUS MODERN ART SPIRITUALITY BUT ALSO SOMETHING WHICH IS OF RADIO NOT ONLY CAN BE BUT REALLY IS AN FRAGMENTED SENSIBILITY OF MODERN TIMES 4HE INSTALLATION IN QUESTION SPEAKS "LEIBTREU S ARTISTIC FORM BECAUSE THE
REJECTS ANYONE WHO IS NOT SPIRITUALLY READY GENERAL ABSTRACT AND IMMEDIATELY ELUSIVE ARTISTIC MEDIUM 4HE PROJECT OF CREATING 4O A GREAT EXTENT THE CONCEPTUAL WORK PREGNANTLY OF THIS )T IS A SEQUENCE OF MEDIUM OF WORD IS THE MEDIUM OF THOUGHT
TO SEARCH FOR MEANING WITHIN ITS OWN HISTORY AND CONSIDERS SENSUALITY A CONSEQUENCE OF IMAGE OVER RADIO AS WELL AS OFFERING AN ENCOMPASSES WITHIN ITSELF THE HISTORICITY SQUARES HORIZANTALLY AND VERTICALLY INSTALLED ITSELF "UT THAT IS SPOKEN WORD ALWAYS
AS WELL AS THROUGHOUT THE HISTORY OF THE UNDERSTANDING ITS MEANING APPEALING CHALLENGE FOR THE AUDIENCE IN THEIR THAT IS THE SPIRITUALITY OF THE PAST )N THE ! DIVIDING LINE WITHIN THE SQUARES CLEARLY DRENCHED WITH A CERTAIN EMOTION SENSUALITY
DEVELOPMENT OF HUMAN SPIRITUALITY )N FACT 7œÀ`]Ê>À̈Ã̈Vʓi`ˆÕ“ FREE TIME UNEQUIVOCALLY DEMONSTRATED CONCEPTUAL WORK ALMOST THE ENTIRE HISTORY SEPARATES A COLOURED SECTION FROM A AND THAT MAKES IT DIFFERENT FROM THE WRITTEN
ONE MIGHT SAY THAT MODERN ART UNLIKE 4HROUGH THIS UNDERSTANDING OF THE THAT #LARA "LEIBTREU CONSIDERS SPIRITUALITY IN OF ART IS ENCOMPASSED 4HIS CAN BE SEEN SECTION IN WHICH WORDS ARE WRITTEN !LL WORD )T COULD BE SAID THAT THE SPOKEN WORD
THAT FROM PREVIOUS EPOCHS PREFERS PRE CHARACTER OF MODERN ART THE PROJECT h4HE ITSELF A WORK OF ART 4HUS HER INSTALLATION IN IN THE GENERAL SCHEME OF EACH CONCEPTUAL THE WORDS WITHIN THE SQUARES LINK TO FORM IS THE SAME AS THE INSTALLATION THOUGHT
ESTABLISHED SPIRITUAL POSITIONS TO SOMETHING #REATION OF )MAGEv BY #LARA "LEIBTREU CAN BE 3ARAJEVO IS NO RANDOMLY CHOSEN FORM 4HE WORK SCULPTURE OBJECT PICTURE OF SCULPTURE A SINGLE IDEA HYPER REAL BUT STILL AN IDEA AND SENSUALITY IN ONE SEARCHING FOR ITS
THAT IS SENSUOUS SENSITIVE 4RUE ARTISTIC SUMMED UP )T CONCERNS AN EXCEPTIONALLY INSTALLATION IS A MODERN ARTISTIC FORM AND OBJECT AND WRITTEN WORD THAT IS THE NAME WITH A REAL MEANING 4HE COLOURED SECTION INTERPRETER

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