Page 12 - 50.La Biennale di Venezia issue of World of Art Magazine

Matthew Barney
Loughton yellow /blue
CREMASTER 3: Hiram Abiff, 2002
C-print in acrylic frame
54 x 44 x 1 ½ inches
(137.2 x 111.8 x 3.8 cm)
Edition of 6, 1 A.P.
Photo by Chris Winget
© Matthew Barney, courtesy Barbara Gladstone

Matthew Barney
CREMASTER 5: Lánchíd: The Lament of the
Queen of Chain, 1997
Acrylic, cast polyurethane, Vivak, Pyrex,
polyethylene, and prosthetic plastic.
10 x 20 x 16 feet
(304.8 x 609.6 x 487.7 cm)
Astrup Fearnley Collection, Oslo
© Matthew Barney, courtesy Barbara Gladstone

Matthew Barney
CREMASTER 1: Goodyear Field, 1996
Self-lubricating plastic, prosthetic plastic,
petroleum jelly, silicone, Astroturf, pearlescent
vinyl, cast tapioca, cast polyester, polyester
ribbon, costume pearls, speculae, and Pyrex
54 x 268 x 324 inches
(1.37 x 6.81 x 8.23 m) overall
Emanuel Hoffmann Foundation. On permanent
loan to Museum für Gegenwartskunst, Basel
© Matthew Barney, courtesy Barbara Gladstone

12 WORLD of ART