Page 4 - 50.La Biennale di Venezia issue of World of Art Magazine

Matthew Barney. CREMASTER 2: The Cabinet of Gary Gilmore and Nicole Baker, 2000 [with The Drones’
Paris #7252 Exposition, 1999, in the background; installation at Musée d’Art Moderne de la Ville de Paris].Polycarbonate honeycomb, beeswax, microcrystalline wax, petroleum jelly, nylon,
polyester, vinyl, carpet, chrome, prosthetic plastic, solar salt cast in epoxy resin, sterling silver, and 2 nylon and acrylic vitrines, 58 x 220 x 103 inches (147.3 x 558.8 x 261.6 cm) overall.
Private collection, Basel. Photo by Marc Domage, courtesy Musée d’Art Moderne de la Ville de Paris.

Matthew Barney. CREMASTER 3: Chrysler Imperial, 2002 [detail]
Paris #7227 Cast concrete, cast petroleum jelly, cast thermoplastic, stainless steel, marble, and internally lubricated plastic. 4 units: approx. 23 ½ x 59 x 90 ½ inches (.6 x 1.5 x 2.3 m) each;
1 unit: approx. 67 x 157 ½ x 129 ¼ inches (1.7 x 4 x 4.3 m). Courtesy of Barbara Gladstone. Photo by Marc Domage, courtesy Musée d’Art Moderne de la Ville de Paris.

4 WORLD of ART Solomon R. Guggenheim Museum New York