Page 102 - La Biennale di Venezia issue of World of Art Magazine

contemporary artists in la Biennale di Venezia issue IMPULSIO 05, 2019 ACRYLIC ON 300 GR FREE LINEN CANVAS, HIGH FIXING WOODEN ROD, WEIGHTED
WITH THEATER CURTAIN LEAD 63X70 CM.
IMPULSIO 02, 2019 ACRYLIC ON 300 GR FREE LINEN CANVAS, HIGH FIXING WOODEN ROD,
WEIGHTED WITH THEATER CURTAIN LEAD 100X70 CM.
IMPULSIO 04, 2019 ACRYLIC ON 300 GR FREE LINEN CANVAS, HIGH FIXING WOODEN ROD, WEIGHTED
WITH THEATER CURTAIN LEAD 70X77 CM.
IMPULSIO 03, 2019 ACRYLIC ON 300 GR FREE LINEN CANVAS, HIGH FIXING WOODEN ROD, WEIGHTED
WITH THEATER CURTAIN LEAD 71X91 CM.

DENISE GRISI [OUTSIDER ART]
Lives and works in Cahors, France
http://www.denisegrisi.com/

The theme of Denise Grisi’s graffitis is the vision of the everyday a happy meeting in the unreflected flow of images pursuing moods
urban perspective in the “distorted” view of any order: “parts of the and “enlightenment”: an independent world to go through with an
wall of the XXI century”, overwhelmed images that show the loss of struggling imaginative itinerary: artworks meeting the observer to
the absolute ant the advent, of illusory, funny, joyful characters and receive inside endogenous landscape of the Author.
futuristic aliens. Abandonment of credible realism, lack of composition The new works by Denise Grisi are constituted by the richness of
programs, minimalist research: an operative attitude characterized the visual stimuli and their familiarity with the sites and the rhythms
by signs and me chromatics, through which the artist is receptive of urban life; their full availability in the entire sphere of human
with urban impressions marking the every day point of views, small experience of the human introversion marks a heterogeneous
signs and impassable roads, which tend to the emergence of possible multitude with a quasi-film character, apparently devoid of coherence
changes in a reality in decomposition. The interest for the quote (in and purpose, a succession of thrilling moments of free experiences,
writings, dates, lists, “posters”) characterizes the research of captives which suggesting possible complicity stimulates in the observer
words of today’s life, through painted dripping showing emotions the activity of thought which - beyond mood and reasons - refuses
and releasing energies, confirming a radical change of each abused coherences and contingencies. It is just thanks to the naturalization
paradigm representative of landscapes and environments: it is the of fragments of life that Denise Grisi expresses with her innocent
confirmation of a strong capacity to struck root of lightness and and almost “childlike” signs the participation in a reality that feeds on
fantastic dreams. The graffiti paintings of Denise Grisi help to lead dreams and trusting expectations.
(Gennaro Oliviero (Naples), conservateur du Jardin de Babuk)

102 WORLD of ART