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                                KARL WEIMING LU
                                Lives and works in Sydney, Australia
                                http://www.kwluart.com/


         Karl W. Lu is regarded as a true contemporary global Renaissance
         man, his life and art spans from East to West, in his ongoing
         quest for knowledge and creativity. In 1991, the celebrated
         Hangzhou artist of China relocated to Australia to have his
         postgraduate studies in philosophy, international studies, finance,
         at The University of Wollongong and The University of Sydney
         respectively; and further achieve triple Master’s degrees in Art,
         Architecture and Design from The University of New South Wales,
         Australia. Lu has worked in civil engineering, architecture, fashion,
         stock trading and web linked e-business, but he never abandoned
         his artistic passion. “All my interests—in art, science and
         philosophy—come together in my artworks” he explains. With the
         new millennium, he’s returned to the art practice professionally






















                                                              in his Sydney studio and exhibited  & published globally at major
                                                              world art fairs and galleries in China, Japan, Australia, USA, UK,
                                                              Germany, Austria, Switzerland, France, Italy, Holland, Spain,
                                                              Portugal, Danmark, East Europe and Middle East.  He has also
                                                              become a leading contemporary Chinese art critic since 2012 with
                                                              top-ranked Chinese art webzines and digital media.
                                                              Lu’s art style reflects his personal journey and respected position
                                                              within the early 1980’s Chinese Elite Student Movement and the
                                                              significant “85 New Wave Art Movement”. Trained in both Eastern
                                                              and Western traditions, he often combines the two to create
                                                              unique hybrid styles of mixed media of acrylic and / or oil with


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