Page 16 - La Biennale di Venezia issue of World of Art Magazine
P. 16

LA BIENNALE DI VENEZIA
         58TH INTERNATIONAL ART EXHIBITION


































         RALPH RUGOFF. CURATOR
         OF LA BIENNALE DI VENEZIA.
         COURTESY OF LA BIENNALE
         DI VENEZIA. PHOTO BY
         ANDREA AVEZZU.








                                          Statement by Ralph Rugoff
                                          Curator of the 58th International Art Exhibition


                                          May You Live In Interesting Times

                                          In a speech given in the late 1930s, British MP Sir Austen Chamberlain invoked an
                                          ancient Chinese curse that he had learned of from a British diplomat who had served
                                          in Asia, and which took the curious form of saying, “May you live in interesting times.”
                                          “There is no doubt that the curse has fallen on us,” Chamberlain observed. “We move
                                          from one crisis to another. We suffer one disturbance and shock after another.”

                                          This summary sounds uncannily familiar today as the news cycle spins from crisis to
                                          crisis. Yet at a moment when the digital dissemination of fake news and “alternative
                                          facts” is corroding political discourse and the trust on which it depends, it is worth
                                          pausing whenever possible to reassess our terms of reference. In this case it turns
                                          out that there never was any such “ancient Chinese curse,” despite the fact that
                                          Western politicians have made reference to it in speeches for over a hundred years.
                                          It is an ersatz cultural relic, and yet for all its fictional status it has had real rhetorical
                                          effects in significant public exchanges. At once suspect and rich in meaning, this kind
                                          of uncertain artefact suggests potential lines of exploration that are worth pursuing
                                          at present, especially when the “interesting times” it evokes seem to be with us once
                                          again. Hence the 58th International Art Exhibition of La Biennale di Venezia will be
                                          titled after a counterfeit curse.

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