Page 29 - La Biennale di Venezia issue of World of Art Magazine
P. 29

ANTIGUA & BARBUDA
                                   Find Yourself: Carnival and Resistance
                JOHN BULL, CARNIVAL, ST.   Commissioner: Daryll Matthew, Minister of Sports, Culture, National Festivals and the Arts.
            JOHN’S, ANTIGUA, 2018, COLOUR   Curator: Barbara Paca with Nina Khrushcheva.
               PHOTOGRAPH, 20 X 25 CM.,
         COURTESY © THE ESTATE OF TIMOTHY   Exhibitors: Timothy Payne, Sir Gerald Price, Joseph Seton, Frank Walter; Intangible Cultural, Heritage Artisans, Mas Troup.
              PAYNE 2019, PHOTOGRAPHER,   Venue: Centro Culturale Don Orione Artigianelli, Dorsoduro.
                 ANTIGUA AND BARBUDA.
                                                              Situated in a fifteenth-century monastery in the heart of Venice,
                                                              Antigua and Barbuda’s National Pavilion celebrates Carnival. For this
                                                              island nation, the development of the religious tradition of Carnival
                                                              into an act of resistance remains true in modern festivals. With
                                                              the pageantry of costumes, parades, resolute songs, and dances,
                                                              Carnival has been the manifestation of defiance from its inception as
                                                              a slavery and post-abolition phenomenon to the present day. Though
                                                              rooted in faith, it accommodates shifting identities, which leads to
                                                              introspection. Find Yourself is an exploration of Carnival in Antigua
                                                              and Barbuda that expands into diverse locations such as Venice,
                                                              New Orleans, Notting Hill, and even Russia. This National Pavilion is
                                                              a global study of identity through expression or repression of ritual.
                                                              The international migration of symbols of freedom of expression and
                                                              treasure highlight the unique history and similarities among people
                                                              from many continents.  Portraits of Antiguans and Barbudans-a
                                                              people of unique beauty and power-line the gallery walls to illustrate
                                                              daily life, weddings, funerals, and Carnival. The photographic
                                                              exhibition is enlivened by videos of celebrations, rituals, music,
                                                              calypsos (protest songs), and dances, with towering mannequins
                                                              clad in modern-day Carnival dress as a contemporary personification
                                                              of strength. (excerpt)

                                   ARGENTINA

                                   The Name Of A Country
                      TELA.MARIANA   Commissioner: Sergio Alberto Baur Ambasciatore. Curator: Florencia Battiti.
                          TELLERIA  Exhibitor: Mariana Telleria.
                                   Venue: Arsenale



         For the first time ever, the Argentine Ministry of Foreign Affairs and
         Worship, through the Directorate of Cultural Affairs, effected a public
         and open call of distinct federal nature, receiving 68 proposals of
         Argentine artists from different parts of the Country. Composed
         of seven monumental sculptures that act up as a punk, Franken-
         stein-esque bestiary, this project presents itself as a support for
         an intuitive transformation of things; as an archive of desacralized
         meanings where religious iconography, rubbish, fashion, spectacle
         and nature share the same horizontal hierarchy.“With these
         sculptures I am interested in taking off from the form itself of every
         object that orbits around these big structures; what I’m trying
         to point out is that the only natural thing’s actually the chaotic
         coexistence between living and inert objects, between culture and
         nature, between order and destruction. Each thing has its own
         soul, its formal imprint and its material history. There is tragedy in
         everything but in everything there is also life,” says the artist. In
         words of the curator, “when Telleria’s artworks set up a network
         between things and their imaginary worlds, she’s actually proposing
         unforeseen connections between the multiple signifies of our
         culture (the sacred, the domestic, the urban, the natural), lightning
         up, by friction or by mere contact, new gleams of meaning.”.
         (excerpt)
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