Page 36 - La Biennale di Venezia issue of World of Art Magazine
P. 36

LA BIENNALE DI VENEZIA
         58TH INTERNATIONAL ART EXHIBITION


                                   CYPRUS
                                   Untimely, Again
             CHRISTOFOROS SAVVA, WINTER   Commissioner: Louli Michaelidou. Curator: Jacopo Crivelli Visconti.
          LANDSCAPE, 1962, MIXED MEDIA ON   Exhibitor: Christoforos Savva.
          HARDBOARD, 58 X 70 CM. COURTESY   Venue: Associazione Culturale Spiazzi, Castello 3865
             OF BANK OF CYPRUS CULTURAL
         FOUNDATION. PHOTO: LOUCA STUDIOS

                                                              The coexistence of styles and the wide range of themes and
                                                              references that appear in Savva’s work seem to suggest that strictly
                                                              formal questions were not his main concern. It could be said that
                                                              the core of his practice constantly shifted toward a place that was
                                                              beyond both the form and the content of any individual work. Taking
                                                              his activity as a whole, there is a sense that this “beyondness”
                                                              encapsulates his role in Cypriot society and in the local artistic
                                                              system that was being organised at the time. In May of 1960 (the
                                                              year Cyprus gained independence from Britain) Savva founded,
                                                              together with Welsh artist Glyn Hughes, Apophasis [Decision], the
                                                              first independent cultural centre of the newly established Republic
                                                              of Cyprus. The impressive array of activities hosted at Apophasis
                                                              included art exhibitions, performances, drawings by children, a
                                                              joint exhibition of Greek Cypriot and Turkish Cypriot artists (a quite
                                                              audacious endeavor for that time), plays, talks, poetry readings, and
                                                              film screenings. The almost idiosyncratic diversity of Apophasis is
                                                              comparable to Savva’s own effervescent artistic production: in a
                                                              polarised and divided society, that had barely emerged from a long
                                                              anti-colonial struggle before it plunged into violent intercommunal
                                                              conflict, the habit of including opposites became no less than a
                                                              political statement. (excerpt)


                                   CZECH & SLOVAK REPUBLIC
                                   Former Uncertain Indicated
                                   Commissioner: Adam Budak, National Gallery Prague.
                    STANISLAV KOLÍBAL
                     WHITE RELIEF 2016   Curator: Dieter Bogner.
                  WOOD, DRAWING, IRON  Exhibitor: Stanislav Kolibal.
                      150 X 108 X 5 CM  Venue: Giardini


         The title of the exhibition and the catalogue, Former Uncertain
         Indicated, is derived from Kolibal´s conceptual installation
         conceived in the mid-1970s. Its poetic and ambiguous character
         is crucial for the understanding of the artist’s position regarding
         time, life and his art. Kolíbal’s artistic work is unquestionably
         determined by the “most interesting times” he experienced in
         Czechoslovakia since the early 1940s.
         The exhibition will combine an outside “spatial drawing”, related
         to modernist façade of the 1926 masterful architecture of the
         Czech and Slovak Pavilion designed by the Czech architect
         Otakar Novotny, with a large-scale “wall drawing” inside of the
         building, both made for this occasion. At the same time, Kolíbal
         will present two of his early pioneering series: white sculptures
         from the 1960s and four minimalist conceptual wall-installations
         from the 1970s made out of found materials. (excerpt)










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