Page 75 - La Biennale di Venezia issue of World of Art Magazine
P. 75

The pigment master: In my large-sized pigment works, I use various   pigments will be applied. Colored, luminous paintings with various
         materials, such as paper, fibers, gypsum or plastic modeling   layers and overlapping structures emerge. Characteristic for the
         masses, wood shavings, synthetic resins, wire, etc. Everything   pigment works is the powdery, dull and - depending on the light
         is applied in several layers, partly washed off and then applied   intensity - intensive surface.  I basically use high-quality, pure and
         again and again. On this relief-like structure the raw and powdery   tested non-toxic pigments as color bodies.




































































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