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the organic to the hard-edged. Whether in scrawled graffiti or
                                                              looping calligraphy, featuring reduced geometry or recording
                                                              movement via mark-making, these works share similar
         DEGREE ZERO:                                         conceptual and material concerns that manifested specifically
         DRAWING AT MIDCENTURY                                in the medium.

         The Museum of Modern Art
                                                              Taking a global approach, the exhibition will feature American
                                                              artists such as Louise Bourgeois, Sari Dienes, Ellsworth Kelly,
                                                              and Jackson Pollock; European artists including Karel Appel,
                                                              Jean Dubuffet, Henri Matisse, and Sonja Sekula; Latin American
         The Museum of Modern Art announces Degree Zero: Drawing
                                                              artists including Hércules Barsotti, Raúl Milián, Eduardo Ramirez
         at Midcentury, an exhibition that will showcase approximately
                                                              Villamizar, and Alfredo Volpi; and Asian artists such as Yayoi
         100 drawings made between 1948 and 1961 exclusively from
                                                              Kusama, Joong Seop Lee, Saburo Murakami, and Morita Yasuji.
         the Museum’s collection, on view June 21 through September
                                                              Nigerian artist Uche Okeke, whose drawing practice looks
         19, 2020. Degree Zero: Drawing at Midcentury will look across
                                                              equally to Igbo tradition and Western modernism, will also
         movements, geographies, and generations to highlight
                                                              have work featured for the first time since its acquisition by the
         connections between diverse artists who embraced drawing
                                                              Museum in 2015.
         to forge a new visual language in the aftermath of World War II.
         Modest, immediate, and direct, drawing - to use a phrase that
                                                              Degree Zero: Drawing at Midcentury is organized by Samantha
         circulated among artists and writers during these years - was
                                                              Friedman, Associate Curator, Department of Drawings and Prints.
         the ideal “degree zero” medium for this “degree zero” moment.
         Within this impulse common to artists from across the world,   Karel Appel (Dutch), 1921-2006) Beast, 1956 Ink on paper 9 3/8 x 12 5/8 in
         drawing took many forms, from the abstract to the figurative,   (23.8 x 32.1 cm) The Museum of Modern Art, New York. The Joan and Lester
                                                              Avnet Collection © 2019 Artists Rights Society (ARS), New York / Van Lennep
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