Page 115 - Contemporary Art and Old Masters
P. 115

FROM THE MYTHOLOGY IV, 2012 DIGITALIZED ORIGINAL OIL PAINTING 12X15 IN. | 30,5X38 CM.
        ART AND ARTISTS












                                   DUYGU KIVANC STUDIO
                                   Lives and works in Dunn Loring, VA, United States of America
                                   https://duygu-kivanc.pixels.com


                                                                           Artist, author, owner, member of
                                                                           Independent Arts and Crafts Professional,
                                                                           Washington D.C. Metro Area, Associate
                                                                           degree in Textile and Fine Arts. Duygu is
                                                                           an artist who has shown her work at the
                                                                           United Nations, Soho, Chelsea in New
                                                                           York, Alexandria, McLean and Fairfax in
                                                                           Washington, in Washington DC as well as
                                                                           internationally in various countries.

                                                                           The public should be totally free to choose
                                                                           “how” to view, in accordance to its real
                                                                           effective needs and desires. Contemporary
                                                                           art is truly art when viewed and recognized
                                                                           in all its passed meanings. It ought to have
                                                                           qualities such as continuity and openness,
                                                                           though now unfortunately, it only seems
                                                                           to survive because it has been dequalified
                                                                           to an inferior range, as if it were simply
                                                                           one of the many ordinary commodities.
                                                                           The congestion of signs and images that
                                                                           characterize our society and culture
                                                                           is subdued by a constant, progressive
                                                                           impoverishment of the messages’ inner
                                                                           meanings, which the artists wish to profuse
                                                                           in their works. Today, messages only exist
                                                                           as mnemonic stipulations, weakly reactive:
                                                                           they are mere graphic or decorative signs.
                                                                           Nevertheless, if the artists’ desire is to
                                                                           reach an almost absolute ethical beauty,
                                                                           they will have to conceive a highly ‘opener”
                                                                           art, and also maintain a boundless faith
                                                                           in the public’s fruition. In fact, even if the
                                                                           artwork is autonomous and definite, it will
                                                                           still give rise to the inevitable, personal
                                                                           interpretation that renders it existent to
                                                                           one of its possible aspects.


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