Page 115 - Contemporary Art and Old Masters
P. 115
FROM THE MYTHOLOGY IV, 2012 DIGITALIZED ORIGINAL OIL PAINTING 12X15 IN. | 30,5X38 CM.
ART AND ARTISTS
DUYGU KIVANC STUDIO
Lives and works in Dunn Loring, VA, United States of America
https://duygu-kivanc.pixels.com
Artist, author, owner, member of
Independent Arts and Crafts Professional,
Washington D.C. Metro Area, Associate
degree in Textile and Fine Arts. Duygu is
an artist who has shown her work at the
United Nations, Soho, Chelsea in New
York, Alexandria, McLean and Fairfax in
Washington, in Washington DC as well as
internationally in various countries.
The public should be totally free to choose
“how” to view, in accordance to its real
effective needs and desires. Contemporary
art is truly art when viewed and recognized
in all its passed meanings. It ought to have
qualities such as continuity and openness,
though now unfortunately, it only seems
to survive because it has been dequalified
to an inferior range, as if it were simply
one of the many ordinary commodities.
The congestion of signs and images that
characterize our society and culture
is subdued by a constant, progressive
impoverishment of the messages’ inner
meanings, which the artists wish to profuse
in their works. Today, messages only exist
as mnemonic stipulations, weakly reactive:
they are mere graphic or decorative signs.
Nevertheless, if the artists’ desire is to
reach an almost absolute ethical beauty,
they will have to conceive a highly ‘opener”
art, and also maintain a boundless faith
in the public’s fruition. In fact, even if the
artwork is autonomous and definite, it will
still give rise to the inevitable, personal
interpretation that renders it existent to
one of its possible aspects.
WORLD of ART 115