Page 37 - Contemporary Art and Old Masters
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past and present has characterised the Fundación since
         its outset, given that its first president, Enrique Lafuente
         Ferrari, defended the idea that the study of the art of the
         past was not incompatible with an interest in the art of
         the present and that knowledge of one could help in an
         understanding of the other. In pursuance of that spirit,
         in 2007 and 2018 the Fundación asked two new groups
         of contemporary creators to reflect on the Prado. These
         three initiatives have given rise to a group of 96 works by
         36 artists of different generations and styles which have
         been donated to the Museum and of which a selection is
         displayed here.


         THE PRINTS AND DRAWINGS COMMITTEE
         With the aim of stimulating donations and encouraging
         members of the Círculo Velázquez to become involved in
         enriching the Museum’s holdings, in 2018 the Fundación
         established the Prints and Drawings Committee.



         The Immaculate Conception / Fragment of a letter Bartolomé E. Murillo
         (1617-1682) Black chalk, pen and iron gall ink on laid paper. Signed c.
         1662–64 Donated by the Fundación Amigos del Museo del Prado and
         Coca-Cola España, 1984








                                                              Concepción Serrano, later Countess of Santovenia Eduardo Rosales (1836-
                                                              1873) Oil on canvas. Signed and dated 1871. Donated by the Banco de España,
                                                              Caja Postal de Ahorros and the Fundación Amigos del Museo del Prado, 1982



                                                              Its members are committed to making special
                                                              contributions which allow for the donation of
                                                              works of this type proposed by the corresponding
                                                              department in the Prado. The Committee’s efforts
                                                              began to see results in the first year of its existence
                                                              with the donation to the Museum of a print by
                                                              Goya and a drawn copy of it by Isidoro Brun. From
                                                              the outset these works indicated the direction the
                                                              Committee would take as all its donations have
                                                              been related to the work of Goya. At the same
                                                              time they were contributions that continued and
                                                              renewed the long-standing connection between the
                                                              Fundación and Goya, the artist most extensively
                                                              represented in this exhibition. The first exhibition
                                                              organised by the Fundación was in fact Goya in
                                                              Madrid Collections, held in 1983 and curated by
                                                              Enrique Lafuente Ferrari, its first president and a
                                                              reputed specialist on the artist.

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