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Jackson Pollock,
         Mural, 1943. Oil and casein on canvas, 242.9 x 603.9 cm. University of
         Iowa Stanley Museum of Art, Gift of Peggy Guggenheim, 1959.6 © 2020
         The Pollock-Krasner Foundation/Artists Rights Society (ARS), New York




         of easel painting with that of mural production, all while
         further experimenting with abstraction. Pollock stretched
         the enormous canvas, even tearing down a wall in his
         downtown apartment to make room to work on it upright.
         As he stated in a 1950 interview with William Wright,
         “[T]he direction that painting seems to be taking here is
         away from the easel - into some sort of wall painting.... ”


         Mural would later be donated by Guggenheim to the
         University of Iowa, Iowa City, along with several other
                                                              Jackson Pollock standing in front of Mural (1943) at the studios of Vogue
         works, following Guggenheim’s relocation to Venice in
                                                              magazine, ca. 1947. Photo: Herbert Matter, courtesy of the Department of
         1947. It now resides in the collection of Iowa’s Stanley   Special Collections, Stanford University Libraries
         Museum of Art.
         The painting was the subject of an extensive research
         and treatment project begun in 2012 by the Getty
         Conservation Institute and the J. Paul Getty Museum,
         Los Angeles. It was during this analysis that the legend
         that Mural had been painted for the most part in a single
         night was confirmed to be untrue, among other findings.
         While certain elements of the composition were laid
         down in an initial burst of activity, the final work was
         completed over an extended period of time.


         In conjunction with this exhibition, the Guggenheim
         Museum concurrently presents Knotted, Torn, Scattered:
         Sculpture after Abstract Expressionism, which considers
                                                              Jackson Pollock, Mural, 1943. Installation view, Away from the Easel:
         the legacy of Pollock’s groundbreaking Mural through   Jackson Pollock’s Mural, Solomon R. Guggenheim Museum, New York,
         works by Guggenheim collection artists from the 1960s   October 3, 2020–September 19, 2021. Photo: David Heald
         and early 1970s.

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