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PROJECTS: GABRIELLE                                  PROJECTS: GABRIELLE

         L’HIRONDELLE HILL                                    L’HIRONDELLE HILL

         The Museum of Modern Art                             MoMA PS1




         The Museum of Modern Art presents Projects: Gabrielle
         L’Hirondelle Hill, the artist’s first solo museum exhibition
         in the United States. On view in the Museum’s street-level
         galleries, the exhibition also celebrates the 50th anniversary
         of MoMA’s Elaine Dannheisser Projects Series. Hill, a Métis
         artist and writer, has assembled multiple works in which
         her use of tobacco as a key material alludes to the plant’s
         complex Indigenous and colonial histories. The exhibition
         features sculptures and drawings, including several new
         works, constructed primarily from tobacco along with other
         sourced and found materials collected from her Vancouver
         neighborhood.


         Installation view of Projects: Gabrielle L’Hirondelle Hill, The Museum of
         Modern Art, New York, April 25, 2021 – August 15, 2021. © 2021 The Museum
         of Modern Art. Photo: Denis Doorly












                                                              Ahmed Morsi. Green Horse I. 2001. Acrylic on canvas. 90 x 70 x 1 1/4 inches.
                                                              Courtesy of the artist and Salon 94, New York. © Ahmed Morsi

                                                              Greater New York, MoMA PS1’s signature survey of artists
                                                              living and working in the New York City area, returns for its fifth
                                                              edition from October 7, 2021 to April 18, 2022. Delayed one
                                                              year, this iteration offers an intimate portrayal of New York by
                                                              creating proximity between key - yet often under-examined -
                                                              histories of art-making and emerging practices. Featuring the
                                                              work of 47 artists and collectives, Greater New York offers new
                                                              insights and opens up geographic and historical boundaries by
                                                              pinpointing both specific and expanded narratives of the local
                                                              in a city that provokes a multitude of perspectives. Bridging
                                                              strategies of the documentary and the archive on the one
                                                              hand, and surrealism and fabulation on the other, the exhibition
                                                              considers the ways that artists work to record social and
                                                              personal experiences around belonging and estrangement.
                                                              Drawing connections across the interdisciplinary practices of
                                                              international and intergenerational artists, Greater New York
                                                              examines the many ways that affinities are formed in relation to
                                                              place and through time.

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