Page 128 - La Biennale di Venezia 2022 issue of World of Art Contemporary Art Magazine
P. 128

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        ART AND ARTISTS  GRID-RED-PLASTIC-SHADOWS_LENOIR_R_01-20-22.  GRID-YELLOW-TOY-ANIMAL-PINK-HAIR_LENOIR_R_05-12-22.
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                                   DAN McCORMACK
                                   Lives and works in Accord, New Your, United States
                                   https://danmccormack.net/ | https://danmccormack.visura.co/


         Grid Images of Nudes:                                Later in 1999 I began exploring grids again with the Action
         I began to make multiple images in a grid in 1967 while   Tracker camera. The camera records two images in a moment
         working on my MFA Thesis in Photography at the School   from a slightly different angle. So I combined two moments
         of the Art Institute of Chicago. I created different sized   in time (four images) in a row and then three more rows
         grids. 5X5, 8x8 and 10x10. I was interested in finding   of related action. The final image would have 16 images of
         mathematical set theory patterns to fill the grid.   action.
                                                              In this project I am working with a cell phone camera to create
         I returned to grids in 1992 when I combined 24 images   3x3 GRID images of a model nude in the studio. Because of
         with the Nimslo Camera. The Nimslo created four      the spontaneity of working with the cell phone camera, I react
         stereoscopic half frame 35 mm negatives when the     quickly to the pose of the model. I can make closely related but
         shutter was released. I contact printed two moments   different images in a matter of moments. The model has been
         in time on a row then four more moments in time two   sensitive to my ideas and we react with each other. I have found
         more rows, thus 24 frames.My interest was in creating an   that the creation of these images is collaboration. Again, I am
         image in time.                                       interested in how TIME is a part of the image.













































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