Page 156 - La Biennale di Venezia 2022 issue of World of Art Contemporary Art Magazine

CROWDING, 2013 COMBINED MEDIA 39.6X27.5 IN. | 100X70 CM. OLD MEMORIES RUNNING FREE, 2013 COMBINED MEDIA 39.6X27.5 IN. | 100X70 CM.

HOMO SAPIENS, 2013 COMBINED MEDIA 39.3X31.4 IN. | 100X80 CM.
INVADED BY FEARS, 2013 COMBINED MEDIA 39.6X27.5 IN. | 100X70 CM.
ART AND ARTISTS STILL NATURE, 2001 COMBINED MEDIA 59X47.2 IN. | 150X120 CM. OUTLINES, 1996 COMBINED MEDIA /ACRYLIC PAINT AND PLASTER 31.4X47.2 IN. | 80X120 CM.

URBAN VIEW, 2002 ACRYLIC PAINT 43.3X27.5 IN. | 110X70 CM.
SUBURBAN DEVELOPMENT, 2013 COMBINED MEDIA 27.5X39.3 IN. | 70X100 CM.
MIGRANTS, 2013 COMBINED MEDIA 39.6X27.5 IN. | 100X70 CM.
TRIPTYCH, 2013 COMBINED MEDIA 19.6X27.5 IN. | 50X70 CM.

JORGE A. COLOMBO MARCH (JACM)
Lives and works in Buenos Aires, Argentina
drjacolombo@yahoo.com

Born in Buenos Aires, Argentina. Neuroscientist. Former Fellow
of von Humboldt Foundation, DAAD, British Royal Society, Ford
Foundation, Foundation´s Fund for Research in Psychiatry, former
Full Professor (tenured) at College of Medicine (USF, FL USA).
Fiction writer. Several local and regional art exhibits and awards. A
work of art is thus the end result of a specific process – possessing
a specific form and aesthetic, it serves no purpose except that
of channeling a very specific form of energy. It is always a sort
of communicative performance. It allows man to plumb his own
conscience and to void it. In fact, it is only within empty spaces
that energy is able to unleash its own creative force.

Consequently, by asking how to develop this energy in the face of
the complexity of the world, questioning the need for free mental
space, man is experiencing a journey where reality and the virtual
go hand in hand: two dimensions which are no longer disjoined,
in that the virtual is nothing other than an “as-if” reality. Now, the
contents aspect of any work of art lie in the presupposition that
the artist is in fact able to explain the most concealed of man’s
movements and desires. Once this clarity has been acquired,
the artist can purposefully use the talent he has been given. His
raw material will always be the conscious awareness of his own
energy, his mental resources. (Excerpt)

154 WORLD of ART