Page 114 - ART GIANTS issue of World of Art (WOA) Contemporary Art Magazine
P. 114

BREEDERART: CALVARY OR CALGARY 0088A, 2025 PRINTED DIGITAL ART 40X72 IN. | 102X183 CM.
        FINE ART CULTURE  BREEDERART: ANKOR WATCHERS 0618B, 2025 PRINTED DIGITAL ART 40X72 IN. | 102X183 CM.


         BREEDERART: ROTTING IN THE FOREST 0117B, 2025 PRINTED DIGITAL ART 40X72 IN. | 102X183 CM.








                                   GERALD HUSHLAK
                                   Lives and works in Calgary AB, Canada
                                   https://www.geraldhushlak.com | https://profiles.ucalgary.ca/gerald-hushlak








































         Gerald Hushlak is a Calgary-based visual artist who redefines the   is to exhibit the drawings in clusters.” This process not only
         boundaries of creativity through his revolutionary “BreederART”   produces cohesive visual narratives but also allows for unexpected
         series. His work is a proof to the power of blending traditional artistic   divergences. Hushlak describes the occurrence of “wild card
         philosophy with cutting-edge digital technologies, creating a unique   hybrids” as moments of serendipity, yielding unimagined aesthetic
         dialogue between the organic and the artificial. Hushlak’s approach   vocabularies that propel his work forward.
         to art is rooted in evolutionary computing methods, where the   The artworks within the BreederART series are diverse yet
         process of selection and iteration gives rise to deeply transformative   interconnected, each exploring themes of transformation, decay,
         visual experiences.                                  homage, and timelessness. In “BreederART: Calvary or Calgary,”
         The artist eloquently explains his methodology: “The intent of my   Hushlak juxtaposes the heavy symbolism of sacrifice with the
         camera is to gather digital input as a starting point for inventing   urban vibrancy of Calgary, navigating between historical resonance
         new metaphorical subjects birthed through an iterative computer   and contemporary significance. “BreederART: Ankor Watchers”
         evolutionary breeding process, not unlike the work of Darwin and   evokes the guardianship and timelessness of Angkor Wat, weaving
         Mendel. Photographic input is skewed to optimize the software   organic and architectural motifs into a seamless visual narrative.
         resident on a half dozen computers running 24/7 that breed suites   The contemplative beauty of decomposition takes center stage in
         of drawings. Because they inform each other, my preference   “BreederART: Rotting in the Forest,” reminding viewers of nature’s


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