Page 128 - World of Art Contemporary Art magazine: The 2023 Guggenheim issue
P. 128

BUILDING I, 2020 ACRYLIC ON CANVAS 35.4X35.4 IN. | 90X90 CM.
        FINE ART CULTURE  BUILDING II, 2020 ACRYLIC ON CANVAS 35.4X35.4 IN. | 90X90 CM.
         STAIRS I, 2020 ACRYLIC ON CANVAS 35.4X35.4 IN. | 90X90 CM.




         STAIRS II, 2020 ACRYLIC ON CANVAS 35.4X35.4 IN. | 90X90 CM.





                                   JÁNOS GNANDT
                                   Lives and works in Békéscsaba, Hungary
                                   https://www.facebook.com/janos.gnandt.5


         János Gnandt is a fine artist born in Arad, (Transylvania /RO)
         who creates geometrical decorative structural art to enhance
         the external luxury beauty. His art style is unique and valuable
         with the purpose of beautifying the appearance with his
         geometric abstraction, through a personal cubist process of
         purifying art. His austere compositions and geometric forms
         symbolize purity and harmony. Gnandt’s art style is influenced
         by the nonfigurative tendencies of artists who were pioneers
         in the field of abstract art such as Wassily Kandinsky pure
         non-objective painting, Nicolas Dubreuille, Brent Hallard,
         Gerhard Frömel, Victor Vasarely and Paul Klee.  These artists
         sought to create art that was free from representational
         constraints and that could be used to express emotions and
         ideas in a purely visual way. Gnandt’s use of geometry in his
         work is particularly interesting because it reflects his interest
         in the relationship between form and function. For Gnandt,
         geometry was not just an aesthetic choice but was also a
         way of exploring the fundamental principles that underlie all
         forms of design. By using geometry in his work, Gnandt was
         able to create images that were not only beautiful but also
         intellectually stimulating.
                                              The WOA editor


































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