Page 82 - World of Art Contemporary Art magazine: The 2023 Guggenheim issue
P. 82
THE SERIES “STRUCTURES UNDER GOLD":
GLOW OF LIGHT I, 2023 ARIOUS MIXED TECHNIQUES, GOLD LEAF METALS, GOLD LEAF (24K), GOLD
FLAKES, AND GRAPHITE ON CANVAS 180X140X6 CM.
FINE ART CULTURE GLOW OF LIGHT II, 2023 ARIOUS MIXED TECHNIQUES, GOLD LEAF METALS, GOLD LEAF (24K), GOLD
FLAKES, AND GRAPHITE ON CANVAS 180X140X6 CM.
RETRO IN GOLD, 2023 VARIOUS MIXED TECHNIQUES, GOLD LEAF METALS, GOLD LEAF (24K), GOLD
FLAKES, AND GRAPHITE ON CANVAS 150X110X3 CM.
ANDREA AMELUNG
Lives and works in Berlin, Germany
https://www.pigmentmaster.com/
Gold, with its warm glow, has always captivated the human works, they sparkle and glitter off the canvas, amplifying the existing
imagination. It’s not just a precious metal, but a symbol of the sun, light and enhancing the brightness in the room. The series “Structures
light, stability, and wisdom. Gold is more than just a material; it under Gold” is characterized by different surface structures that
embodies the warmth of the sun and radiates confidence. It stands give each work its own unique tactile quality. The use of various
as a symbol of divine power and goodness, offering healing from leaf metals and 24-carat gold leaf flakes adds depth and texture to
suffering, strengthening vital forces and self-esteem, and fostering these pieces. Each piece is a testament to the transformative power
spiritual development. This fascination with gold inspired me to of gold. The way it interacts with light brings a dynamic element to
incorporate it into my work. The moment I started working with this each painting, making it come alive. The tactile quality of the surface
enchanting material, I was swept up in a “gold rush” of creativity. structures invites viewers to not just see but also feel the artwork.
This rush has not subsided, and I continue to work on my large- Working with gold has allowed me to explore new dimensions in
format series “Structures under Gold.” My gold works are not just my art. It’s not just about creating something beautiful; it’s about
visually stunning; they create a beautiful lighting effect, especially capturing the essence of gold - its warmth, its glow, its power - and
in dark rooms. It’s as if there’s a hidden light source somewhere in translating that into a visual form. This exploration continues to inspire
the darkness that illuminates the room. When sunlight falls on these me as I create new pieces for the “Structures under Gold” series.
80 WORLD of ART