Page 144 - "he 2020 Guggenheim issue of World of Art Contemporary Art Magazine

THE DEVIL KNOWS FOR BEING THE DEVIL, BUT KNOWS MORE FOR BEING OLD, 1999 MIXED A PAIN GOT LOOSE. 2013. MIXED TECHNIQUE (ACRYLIC PAINT AND INK) ON FABRIC CANVASS
TECHNIQUE ON HARD WOODEN SUPPORT 23.6X17.7 IN. | 60X40 CM. 39.3X27.5 IN. | 100X70 CM. 
INVITED ARTIST IN. | 100X80 CM. 27.5X39.3 IN. | 70X100 CM. 
UNTITLED, 2013 MIXED TECHNIQUE (ACRYLIC PAINT AND IN INK) ON FABRIC CANVASS.
CLOWN, 2001MIXED TECHNIQUE (ACRYLIC PAINT, CHARCOAL) ON FABRIC CANVAS 39.3X31.4
THE PROCREATION OF FISTS, 1987 MOULDED, HIGH TEMPERATURE COOKED CLAY, ON WOODEN
CITYSCAPE, 2013 MIXED TECHNIQUE (ACRYLIC PAINT AND INK)ON FABRIC CANVASS
HARD SUPPORT 31.4X23.6 IN. | 80X60 CM. 
39.3X27.5 IN. | 100X70 CM. 

JORGE A. COLOMBO MARCH (JACM)

Lives and works in Buenos Aires, Argentina
drjacolombo@yahoo.com

My work is generally enrolled within expressionism in
dimensions framed within the social or intimate domains. In
the first place, I consider it an art with a commitment to either
intimate emotional states or collective problems, whether
urban, social inequity or ecological in nature. In terms of its
materialization, I use various techniques -the subject to be
treated and the emotional state it generates in me suggests
which one to use-. If I work on surface, I generally combine
contrasting tones; occasionally incorporating a third dimension
that projects from the canvass surface. I have initially used oil,
and later acrylic, in this case often combined with drawings in
ink or charcoal or other materials like plaster, always seeking to

highlight the expressive tone and give relief to segments of the
work, avoiding the abstract expression. In any case, virtuality
is not in the formal, in the represented image, but in what it
suggests, a sort of the metaphor of an idea. Regarding the use
of reliefs, this abandoning the plane has occasionally led me to
expressions of ceramic modeling or sculpture.

144 WORLD of ART