Page 153 - "he 2020 Guggenheim issue of World of Art Contemporary Art Magazine
P. 153

AWAKEN MY BELOVED 5, 1990-2020 PASTEL 40X27 IN. | 101.6X68.5 CM..
           COME LIFT YOUR BODY OF HEAVY SORROWS,
           COME RISE,
           I AM STANDING BEHIND YOU, ALWAYS,
           I WILL HELP YOU
         AWAKEN MY BELOVED 4, 1990-2020 PASTEL 40X27 IN. | 101.6X68.5 CM.
           COME, LIFT YOUR ARMS IN JUBILATION,
           I WILL MEET YOUR JOY … WITH JOY,
           I WILL MEET YOU WITH EACH TURN
           OF THE FIERY WHEEL.




                                                              female form in a multitude of poses (some strong, some merely
                                                              passive, but none weak) with mystic and sacred images like the
                                                              sun, mandalas and even the metaphor of the dark wood. Using
                                                              the ever malleable media of pastels, graphite, and other mixed
                                                              media Berg manages to both draw focus to the woman subject
                                                              as well as express a piece of the universe in the background.
                                                              Sometimes the woman blends with the background like in
                                                              Goddess I and II, while in Visitation of the Goddess the woman
                                                              is the center and the background. In his Creatress series
                                                              (mainly mixed media) Berg brings subject and metaphor to the
                                                              front. Many of his women are pregnant, fulfilling a natural and
                                                              divine rite- creation, the bringing forth, the holder of the sacred
                                                              Yoni. Kimberly Berg breathes life into his art, a divine birth of
                                                              creativity where art is the placenta that sustains the world
                                                              while it grows, develops, and eventually becomes enlightened.
                                                                     Reviewed by Logan Riley in the New York Arts Magazine
















         Woman as Center of the Universe
         In the world of mysticism and sacred culture, woman is the
         center of the universe. Woman the creator, the bringer of life.
         It is woman, in the guise of the Hecate with their yarn and
         scissors or Diane and Artemis with the Moon and night sky or
         Psyche enamoring the epitome of love itself that has driven
         ancient and modern cultures. For a time though, the role of
         women has been misplaced, swept under the rug to make room
         for machismo and male domination. But, as they did then,
         things change.
         Kimberly Berg is restoring women to their rightful place. Berg
         almost acts like the Tarot’s High Priestess - he ushers in the
         unseen, drawing back the mystical curtains, magical forces to
         enlighten The Fool - representing the world. His art, as he says,
         is a doorway (not an explanation). A doorway for the viewer
         to create and imagine a message. Kimberly Berg mixes the


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