Page 162 - "he 2020 Guggenheim issue of World of Art Contemporary Art Magazine
P. 162

GO AWAY, 2012 ACRYLIC, OIL AND INK ON CANVAS 31.4X23.6 IN. | 80X60 CM.
        INVITED ARTIST  EVENING, 2013 ACRYLIC, OIL AND INK ON CANVAS 47.2X35.4 IN. | 120X90 CM.
         FLYING AWAY FROM HERE, 2013 ACRYLIC, OIL AND INK ON CANVAS 43.3X35.4 IN. | 110X90 CM.










                                   MALLY ELBAZ-ALMANDINE

                                   Lives and works in Tiberias, Israel
                                   https://www.almandineart.com


         My name is Mally Elbaz Almandin. Almandin is a purple gem, which
         has been an inspiration to my creativity and worldview. For me, it
         symbolizes a natural, basic foundation that reflects both the field
         stones that I played with as a child and the milestones in our lives. My
         work consists of tiny stones, atom like, particles that crystallize into
         molecules, into cells from which the whole process of creation is born.
         The choice of materials, technique, images and composition are born
         from the laborious work of marking the circles of stones. It is a slow,
         repetitive, ceremonial marking that conjures up complex childhood
         memories. I was born in Israel, in the city of Afula, to parents who
         immigrated from Yemen. My grandfather and father were sewing and
         embroidery craftsmen in Sanaa, Yemen. My father used to sew wool
         and sheepskin sweaters for the king in Yemen. Before his death, my
         father taught me the traditional Yemenite embroidery. As a child in a
         family of eight, whose parents worked for a living, my grandmother was
         a dominant figure in my life. Twice a day I used to go out to graze herd
         of sheep with her. The cultivated fields of the Jezreel Valley, the colorful
         landscape, the width of the sky, the wild plants and the animals were an
         intriguing space for me to explore, play and socialize. These memories
         are translated into images from the natural world, that serve as a visual
         and emotional language in my work: branches that turn into dolls, leaves
         of eucalyptus trees that resemble a blanket, a land that became my first
         “canvas”, on which I engraved dry twigs.


























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