Page 163 - "he 2020 Guggenheim issue of World of Art Contemporary Art Magazine
P. 163

THE TANK, 2020 OIL ON CANVAS 59X98.4 IN. | 150X250 CM.
        INVITED ARTIST











                                   MARGARETHA GUBERNALE

                                   Lives and works in Zug, Switzerand
                                   https://www.margarethagubernale.org

         Magic and Symbolism in the Art written by Margaretha Gubernale:   art of the future emphasizes even the original, targeted value from the
         An Anthroposophist succeeds it most likely to define the nature of   archaic past in which for the time first entered the spiritual element
         art, if he understands the thread should be noted which more or less   in the matter and later the Divine in the people forced their way. The
         runs through the historical development. The mystical, to the divine-  symbolism brought him through the parable expression in physical
         oriented symbolism of the upper Paleolithic of homo sapiens leads,   and figurative form large cultural merits. Same time it programmed
         gradually perfecting, to culminate via detours in the modern mystical   the value of the future in a full immersion in the divine. Symbolism
         symbolism, in order for magic, over mathematical laws. Such an art   guides as magic on a staircase to the universe, which doesn‘t exclude
         expert souls divested the true face of the art, in particular how artists   the material way, but rather includes, as well as the idea of a staircase
         strive in a different way to the same reveling, namely to the Akasha   never only mentally can be. The former vague idea must be readable
         or the divine cosmos. That‘s why postmodern artists integrate in their   and plastically manifest. It is the magical language in the art, the Jod-
         thinking every religion, every race and each origin, because what they   He-Vau-He, the word through all five senses, which the human being
         want, over the human mind is located. They are therefore particularly   by his four poles picks up, namely as the water in the feeling, as air in
         strong attracted in the direction symbolism, because their allegorical   the intellect, as the earth in the body and in the self- consciousness by
         language allows them to grope into the unknown and channel the   the symbolism as a fire, which is the original element and also will be
         taste of the untouchables, not comprehensible, in the finiteness. The   the last under the all-embracing Akasha.








































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