Page 163 - "he 2020 Guggenheim issue of World of Art Contemporary Art Magazine
P. 163
THE TANK, 2020 OIL ON CANVAS 59X98.4 IN. | 150X250 CM.
INVITED ARTIST
MARGARETHA GUBERNALE
Lives and works in Zug, Switzerand
https://www.margarethagubernale.org
Magic and Symbolism in the Art written by Margaretha Gubernale: art of the future emphasizes even the original, targeted value from the
An Anthroposophist succeeds it most likely to define the nature of archaic past in which for the time first entered the spiritual element
art, if he understands the thread should be noted which more or less in the matter and later the Divine in the people forced their way. The
runs through the historical development. The mystical, to the divine- symbolism brought him through the parable expression in physical
oriented symbolism of the upper Paleolithic of homo sapiens leads, and figurative form large cultural merits. Same time it programmed
gradually perfecting, to culminate via detours in the modern mystical the value of the future in a full immersion in the divine. Symbolism
symbolism, in order for magic, over mathematical laws. Such an art guides as magic on a staircase to the universe, which doesn‘t exclude
expert souls divested the true face of the art, in particular how artists the material way, but rather includes, as well as the idea of a staircase
strive in a different way to the same reveling, namely to the Akasha never only mentally can be. The former vague idea must be readable
or the divine cosmos. That‘s why postmodern artists integrate in their and plastically manifest. It is the magical language in the art, the Jod-
thinking every religion, every race and each origin, because what they He-Vau-He, the word through all five senses, which the human being
want, over the human mind is located. They are therefore particularly by his four poles picks up, namely as the water in the feeling, as air in
strong attracted in the direction symbolism, because their allegorical the intellect, as the earth in the body and in the self- consciousness by
language allows them to grope into the unknown and channel the the symbolism as a fire, which is the original element and also will be
taste of the untouchables, not comprehensible, in the finiteness. The the last under the all-embracing Akasha.
WORLD of ART 163