Page 47 - "he 2020 Guggenheim issue of World of Art Contemporary Art Magazine
P. 47

They gather and develop these different modes of     with the presentation of her film Trem em Transe
         interrogating the internalized ableist paradigms     [Train in Trance] (2019). Its protagonist is Simone, a
         that currently determine our understanding of how    self-styled transvestite who embodies eagerness to
         particular human bodies are meant to perform and     reverse the intolerable level of social abandonment
         produce. In the archive exhibition Practices of Radical   that she had experienced. Simone was “reborn” in
         Health Care (2018–ongoing) they look into the past-   the person of pastor Sergio Santos after an overdose-
         West Berlin in the 1970s and 1980s - and present     provoked “revelation.” The staples of a previous life,
         feminist and healthcare movements linked to radical   crack and prostitution, were exorcised as part of a
         therapy, antipsychiatry, and queer self-care as a    long-standing cure. In her home country of Brazil, the
         means of developing collective methods and tools for   life expectancy of transgender people is about 35
         dealing with the crises that surround us. The FHCRG   years. For these human beings in distress, mysticism
         not only asks how to create communal self-organized   and spiritualism are used as a way of achieving
         feminist support structures but also proposes shared   care and affection. Nevertheless, the robes of Neo-
         vulnerability as a weapon and power of soft collective   Pentecostal liturgy are unable to contain the ancestral
         bodies.                                              vibration of Candomblé. While despair has overtaken
                                                              the entire body, it has not yet dissolved its bindings
         Virginia de Medeiros                                 with the territory. The tremor that yields the trance
         Over the course of two decades, Virginia de Medeiros’s   ends up giving way to an indomitable lust for life.
         artistic experimentation has embraced the desire for   As the camera enters into the circular movements
         a collective revolution of a social, political, and sexual   made famous by Glauber Rocha’s 1960s Cinema Novo,
         scope. A militant in the field of queer subjectivity,   Medeiros prefers to move around and forgo allegory
         Medeiros starts a three-month residency in Berlin    as a way of directly challenging the open veins of
                                                              fanaticism.






        exp. 2: Virginia de Medeiros – Feminist Health Care Research Group,   exp. 2: Virginia de Medeiros – Feminist Health Care Research Group,
        30.11.2019–8.2.2020, 11th Berlin Biennale c/o ExRotaprint  30.11.2019–8.2.2020, 11th Berlin Biennale c/o ExRotaprint
        Installation view. Photo: Mathias Völzke              Installation view. Photo: Mathias Völzke








































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