Page 19 - The Documenta issue of World of Art magazine (2002)
P. 19

THe TeRROR
         THe TeRROR PROjeCT                                                           yali Peng
                 PROjeCT                                                                               UsA






                                                     courage, of joys, of anxieties, of fears, or the “pleasant deceptions”- like
         Sincerity and                               the poet Giacomo Leopardi.  They were of courage, of emotions, of spiritual
         emotion in the                              “content” which daily offers the experience, the hope among people.  Her
         yali Peng Painting                          inner “position” fascinates by means of the indicative-chromatic power in
                                                     which she wraps her works.
                                                          Sensations, “values”, of a spiritual world that she “expresses” with
         By Antonio Malmo
       ANTONIO MALMO Is AN ArT CrITIC BAsED IN NAPLEs  atmosphere in which the figurative art   sometimes troubled by the internal thoughts of “escalation” of a society
                                                     marks, codes, cryptographs, and ideographs that somehow draw on her
                                                     oriental culture, enlivened. And yet, by her capacity to seize and express
                                                     through these things, the richness and the simplicity of her character is
          In the “murky” and “oppressive”
         scene finds itself on a world level, it
                                                     cold and unpleasant, “alienated” and “corroded” by consumerism and the
                                                     thirst for power.
         seems almost impossible that a light,
         of great intensity, could shine on the
         horizon: and such is Yali Peng.
                                                          There’s no lack of unconcealed nostalgia or tender melancholia for her

                                                     world in the works of Yali Peng, for her friends far away, for the meadows
           I must confess that it is to me a much
         welcome occasion to be able to draft
                                                     all children of this world. Also, her “reflections” on the transience of things,
         some critiques on the painting of this      she has seen children running and playing in, carefree and dreaming like
                                                     on the “uncertainties”, illusions, on lost hope in an uncertain future are
         American artist, originally from Taiwan.    recurring themes in her works.

         Her multifaceted and broad personality          One can read a note of apprehension in the barbary perpetrated by
         is expressed in a thousand “rivulets”,      contemporary man on the ecosystem. Through the “light” that filters in
         “inclinations”, “artistic  interests”,      the “windows” opened to the world, she sees an enormous crowd that
         “projects”, and “areas of art”, always      runs without goal, without ideals. For all that, a note of frozen stupor, of
         with competence and depth. Of greatest      great regret seems to assail her. For only a moment!!! Then the enthusiasm,
         interest on an                              the joy of living spurs her on, recapturing and “pursuing” her “dreams”,
         exploratory level are the techniques,       her “madness”, her hopes with brilliant, intense, luminous colors.  It is
         the new inclinations, and overall the       transported to the canvas with such expressive force that her emotions
         “objectives” give advance notice to         come out in the moment of “creation”, or better, of inspiration; it seizes
         better feel the depth and to “emphasize”    your mind as you admire it. Yali Peng transmits a myriad of messages to
         her “possibility” and expressive capacity.  the entirety of humanity. They are rife with eternal values such as peace,
                                                     goodness, love, solidarity among all the peoples of this universe. So it is
             In many aspects, her C.V. is rich and   with extreme sensibility and participation that the painter “recounts”
         variegated considering her young age.       these same messages through her designs and colors. For that reason, her
         For good reason, her undeniable quality     palette is blurred and variegated, rich in canvas whites, in yellows, reds,
         is appreciated and demanded from the        blues, and browns. The chromatic combinations are particularly pleasant,
         art world. Her “energy”, her expressive     and, from an esthetic viewpoint, most interesting, demonstrated by her
         force born of love, of her passion, not     excellent specific preparation. Also if she prefers to “express” herself with
         juvenile, for the design principally, and for   ink, she somehow knows all the painting techniques to perfection. It can’t
         the colors.  Her painting is an explosion   be emphasized enough her continual quest for refinement and her already
         of the most pleasant and delicate           most notable styles.
         sensations.  It is sincere, spontaneous,
         without the “academic overtones”. She            This analysis of the motivation and problematics of the painting of Yali
         is absorbed in the surrounding reality,     Peng was more than ever necessary to make the validity and modernity of
         curious and always fascinated with the      her artistic-cultural work stand out.  I would obviously be unable to cite all
         phantasmagoric spectacle of Nature.  It     her beautiful works, but I will mention here a few: “Fantasizing”, “A Man’s
         seems to me somehow restrictive to          Loving Touch”, “Creative Force”, “Being Embraced by the Energy of the
         define her painting as abstractism- in      Universe”, “Spring Love Wind”, “Harmonious Sound of Taiko”, all of which I
         the popular sense it is more diffuse        would define a marvelous synthesis of her undoubted artistic quality.
         than the meaning.  She is “instinctive”,
         quick in stroke, in mark, in delineating         Finally, in my opinion, Yali Peng is without doubt, one of the more
         and suggesting her movements of             interesting and worthy artists in the field of international figurative art.


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