Page 63 - The MoMA/ Guggenheim issue of World of Art magazine (2003)

flávia ribeiro’s spheres, given a shape that makes it impossible for
them to roll, are endowed with a different sort of movement: the
wandering movement of the transitive eye from one sphere to another,
which they elicit through their articulations and their irregular surfaces.
there is no rest in these seemingly motionless sculptures. the serene
iMages inforMations
spheres, grouped in opposing pairs on the table, or the smaller, crinkly,
tríbola
2002, BRonze and veleveT frisky pieces, the net of triple sculptures on the floor, or the large
0.27x0.80x1.23m sphere with its spear - all of them demand an eye that can follow the
movement of form.

flávia ribeiro’s personal discretion, together with her inquisitiveness
that avoids ostentation, stands out, in a milieu dominated by show-
offs, for the depth of her contribution to contemporary art. the present
show testifies to this.

->

iMages inforMations
linha atôMiCa variável
2001, BRonze
0.14x0,15x1.15m

->

Flávia RiBeiRo

iMages inforMations
linha atôMiCa variável
2001, BRonze
0.14x0,15x1.15m

iMages inforMations
linha atôMiCa
2001, BRonze
0.06x0.06x2m

World of art 61