Page 37 - 50.La Biennale di Venezia issue of World of Art Magazine
P. 37

ARSENALE -CORDERIE




        order while waiting has replaced action.              emerging international artists who work in a variety of media including
        Moshekwa Langa’s collages and installations reflect upon the continuous   painting, sculpture, installation art, photography, film and video.
        displacements and shifts not only in linguistic and visual representation   Ranging from traditional media to interactive environments, this exhibition
        but equally in the physical landscape of contemporary Africa. In this   aims to address the inevitable boundless nature of a “clandestine”
        installation of large-scale drawings and video works, he presents a story   vision, which unfolds independently from any kind of formal, individual
        in twelve parts, a ‘non story’ in three acts in which people are waiting   or collective affiliation. In a time when the ‘political’ often dominates
        to get on a bus, waiting in doorways passing the time or just smoking   artistic discourse, this show can neither be linked to any dominant theme
        and waiting, waiting, waiting...                      nor media, resisting straightforward categorisation.
                                                              Rather, the works in Clandestine-both enigmatic or challenging-point
                                                              towards a shared space where the criteria of evaluation and the conditions
        CLANDESTINE                                           of artistic production are constantly shifting.
        CURATED BY FRANCESCO BONAMI                           While the term “globalisation” is often reduced to the invasive force of
        Over the course of the last year, curator Francesco Bonami travelled to   the McDonald’s phenomena, “global” in art can also be seen working in
        numerous countries such as Japan, Israel, Poland and Turkey, among   the opposite direction, projecting the artists’ thought processes beyond
        others, to explore the dynamic pulse of recent developments in   his /her specific context. In this way, the work blurs the boundaries of
        contemporary art practice. Clandestine includes approximately thirty   topography and emphasizes the autonomy of its production.In a world that







                                                      Doron Solomons
                                                      Father
                                                      Video
                                                      2002
                                                      13 Min .



























                                                                                                    Magnus von Plessens
                                                                                                    Raumfigur/ Figure in Space
                                                                                                    Oil on canvas, 2002
                                                                                                    60 x 50 cm

                                                                                                    Kunstsammlung
        Paulina Olowska                                                                             Nordrhein-Westfalen
                 X                                                                                  Ackermans collection
        Oil on canvas, 2002
          71 x 39½ inches


                                                                                                    WORLD of ART       37
   32   33   34   35   36   37   38   39   40   41   42