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VITAL PUMPING MACHINES, 2020 DIGITAL PRINTING ON ALUMINUM 17.7X23.6 IN. | 45X60 CM.
        INVITED ARTIST  FATAL NETS #2, 2020 DIGITAL PRINTING ON ALUMINUM DIGITAL 23.6X23.6 IN. | 60X60 CM.
         SERIES DISARRANGED LANDSCAPES MARE #3, 2020 DIGITAL PRINTING ON ALUMINUM 17.7X23.6 IN. | 45X60 CM.










                                   CHRISTEL SOBKE

                                   Lives and works in Berlin, Germany
                                   http://art-christel-sobke.de/


         Since the beginning of my career, turning to topics like the
         rapid changes in our living space has been very important
         to me. A very early environmental picture allowed me
         to study art and design at the Niederrhein University of
         Applied Sciences. I found maps of the North Sea coast in
         a public library. By chance I came across historical maps
         of around 1800 from the coast of northern Germany and
         Denmark. The changes to today’s coastline caught the eye
         and I suddenly became very aware that our little planet was
         never and never would be the same. We had an extremely
         dry hot summer at that point. We started watering the trees
         in the streets.






















                                                              Of course we were happy to do that. But I started to watch
                                                              the following years more closely. There had been more and
                                                              more dry summers and the heat increased. I began to think
                                                              about my water consumption. There were also the first
                                                              reports of climate change. As an artist, I wanted to make my
                                                              contribution, but not by simply depicting what has changed,
                                                              but rather by showing the changeability, raising awareness
                                                              that nothing is static but subject to change.
                                                              How far was man responsible for this? I painted trilogies
                                                              and asked the question, where are we going, are we going
                                                              in the negative or the positive direction, that one can
                                                              destroy, but also that something can be preserved.


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