Page 113 - WOA9-eMag

AUSTRALIA IS BURNING CONCEPTUAL ART, PAINTING ON PAPER 21.6X15.7 IN. | 55X40 CM
INVITED ARTIST NEW TIMES ARE COMING CONCEPTUAL ART, PAINTING ON CANVAS 21.6X15.7 IN. | 55X40 CM.
CONCEPTUAL ART - BETWEEN CHINA AND EUROPEAN UNION, PAINTING ON PAPER 21.6X15.7 IN. | 55X40 CM.

PANDORA PLANET, PAINTING ON WOOD 31.4X27.5 IN. | 80X70 CM.

RUNNING HORSE CONCEPTUAL ART, PAINTING ON CANVAS 23.6X15.7 IN. | 60X40 CM.

CORNELIA STECKHAN /HORN

Lives and works in München, Germany and Imperial Beach, CA, United States
https://www.corkyart.biz/

“I love to share my imagination and feelings through my Cornelia travels extensively, absorbing art and architecture from the
paintings, and I am inspired by everything I encounter on various cultures. She is an conceptual abstract painter and photographer
this incredible journey of life. My paintings are not finished inspired by color, pattern, texture, and light. She is not committed to a
and fixed; they change to the same extent as the thoughts. genre. A lot of ideas and concepts growing in her mind. For example, the
When they are finished, they continue to change according to protection of the environment and wildlife, universe and aliens, faces
the mood of the viewer. I do paint the things as in my flow of and eyes, landscapes and many others. Thoughts she takes from her
thoughts, not as I see them.” travels and brings them with every stroke of her brush to the canvas.

The German artist’s seemingly simplistic paintings reveal an incredible
sophistication expressing her emotional experience versus physical
reality. Starting late in the world of art after a successful business
career, Cornelia’s paintings depict her subjective emotions and
responses that arise from her personal experiences. She also created
and applied the New Painting Trend of Cosalien (Cosmos+alien).
The artist breaks with everything she sees as obsolete and traditional.
According to the futuristic artist, “art” is supposed to correspond to
actual life rather than to reflect the past. Imitation of the past, whether
as a theme or a motif, should be avoided, since it does not correspond
to the originality and the time appropriately. Futurism frowned upon the
old beauty ideals and sought “its” beauty ideals in speed and dynamics,
cosmos, alien, futurology, and science. On the other hand, if we look at
their new images, we see a completely different cosmos. It is a cosmos
in unfolding, in constant change, an open cosmos of infinite diversity.

WORLD of ART 113