Page 51 - Contemporary Art and Old Masters
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nstallation view, Off the Record, on view April 2–September 27, 2021,
                                                               Solomon R. Guggenheim Museum. Photo: David Heald © Solomon R.
                                                               Guggenheim Foundation, 2021.







                                                               Sarah Charlesworth, Herald Tribune: November 1977, 1977 (printed 2008).
                                                               Twenty-six chromogenic prints, 23 1/2 x 16 1/2 in. (59.7 x 41.9 cm) each,
                                                               edition 2/3. Solomon R. Guggenheim Museum, New York, Purchased
                                                               with funds contributed by the Photography Committee 2008.50. © Sarah
                                                               Charlesworth




         OFF THE RECORD
         New York - The  Solomon R. Guggenheim Museum
         Off the Record features works by 13 artists who challenge
         the authority of mainstream documentation and question its
         role in constructing history.



         Historical, documentary, state, and other records became
         the collectively accepted communicators of “truth” through
         their perceived objectivity and comprehensiveness. They
         presumably tell a story from a place of remove, with all
         relevant details included. Off the Record confronts this
         pretense, bringing together the work of contemporary
         artists who interrogate, revise, or otherwise query dominant
         narratives and the transmission of culture through official
         “records.” Drawn from the context of journalist reportage,
         the phrase “off the record” here refers to accounts
         that have been left out of mainstream narratives. The
         exhibition’s title can also be understood in its verb form:
         to undermine or “kill” the record as a gesture of redress.
         Across various manipulations of “records,” artists in this
         exhibition seek to call out the power dynamics obscured by
         official documentation, complicate the idea of objectivity
         and truth, and surface new narrative possibilities.

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