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opportunity to view Pollock’s breakthrough painting Mural
                                                              (1943) in proximity to works that expand and challenge the
                                                              meaning of the artist’s legacy. Knotted, Torn, Scattered:
                                                              Sculpture after Abstract Expressionism is organized by
         KNOTTED, TORN, SCATTERED:                            Lauren Hinkson, Associate Curator, Collections. Generous
         SCULPTURE AFTER ABSTRACT                             funding for this exhibition is provided by the Edlis-Neeson
         EXPRESSIONISM                                        Foundation, Sotheby’s, Helen Frankenthaler Foundation, and
                                                              the Pollock-Krasner Foundation.
         New York - The  Solomon R. Guggenheim Museum
         Exhibition considers artistic explorations of scale, material,
         and process.  An exhibition of sculptural work by artists who
         challenge and expand the legacy of Abstract Expressionism.
         isolation, confrontation, and occupation.


         Knotted, Torn, Scattered: Sculpture after Abstract
         Expressionism, is an exhibition that considers the diverse
         ways that artists in the 1960s and ’70s responded to
         the achievements of Abstract Expressionist painters
         to formulate unique approaches to sculptural practice.
         Knotted, Torn, Scattered features works from the
         Guggenheim collection by Lynda Benglis, Maren Hassinger,
         Robert Morris, Senga Nengudi, Richard Serra, and Tony
         Smith. These artists saw in postwar painting urgent
         questions about scale, material, and process.        Robert Morris,
                                                              Untitled (Black Felt), ca. 1969, Felt, approximately 22 feet (670.5 cm), overall.
         This exhibition is presented in conjunction with Away
                                                              Solomon R. Guggenheim Museum, New York, Panza Collection, 91.3803. ©
         from the Easel: Jackson Pollock’s Mural, offering a rare   2020 The Estate of Robert Morris / Artists Rights Society (ARS), New York

































           Shown in foreground: Tony Smith, Wingbone, 1962. Plaster, cloth
           and wood, 26 x 25 x 118 inches (66 x 63.5 x 299.7 cm). Solomon R.
           Guggenheim Museum, New York, Purchased through prior gifts of Andrew
           Powie Fuller and Geraldine Spreckels Fuller Bequest and Richard S. Zeisler
           Bequest, 2013.7. © 2020 Estate of Tony Smith / Artists Rights Society
           (ARS), New York


         54   WORLD of ART
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