Page 27 - La Biennale di Venezia 2022 issue of World of Art Contemporary Art Magazine
P. 27

Gabriel Chaile, Mamá luchona, 2021 Exhibition
         View, 2021 Triennial, Soft Water Hard Stone, New
         Museum, New York. Photo Dario Lasagni. Courtesy
         the Artist; Barro, Buenos Aires; ChertLüdde, Berlin.
         Courtesy: La Biennale di Venezia


         Zhenya Machneva, Echo, 2021. Photo Iona
         Didishvili. Courtesy the Artist. © Zhenya Machneva.
         Courtesy: La Biennale di Venezia



                                            The Milk of Dreams is not an exhibition about the pandemic, but it
                                            inevitably registers the upheavals of our era. In times like this, as
                                            the history of La Biennale di Venezia clearly shows, art and artists
                                            can help us imagine new modes of coexistence and infinite new
                                            possibilities of transformation.”
                                            “Cecilia Alemani’s Exhibition imagines new harmonies, hitherto
                                            unthinkable cohabitations and surprising solutions - said President
                                            Roberto Cicutto - precisely because they distance themselves from
                                            anthropocentrism. A journey at the end of which there are no losers,
                                            but where new alliances are brought forth, generated by a dialogue
                                            between different beings (some perhaps even produced by machines)
                                            with all the natural elements that our planet (and perhaps others as
                                            well) presents to us.

                                            The travelling companions (the artists) who accompany the Curator
                                            all come from very different worlds. Cecilia tells us that there is a
                                            majority of female artists and non-binary subjects, a choice I endorse
                                            because it reflects the richness of the creative force of our time.”


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