Page 28 - La Biennale di Venezia 2022 issue of World of Art Contemporary Art Magazine
P. 28

Biennale Arte 2022  LA BIENNALE DI VENEZIA
         59TH INTERNATIONAL ART EXHIBITION










































         Giulia Cenci, Figura che divora sé stessa (detail), 2021.   Lenora de Barros, POEMA (POEM), 1979_2014. Photo Fabiana de Barros. Courtesy the Artist; Gallerie
         Photo Serge Domingie. Courtesy the Artist; Museo del   Georg Kargl Fine Arts, Vienna; Bergamin & Gomide, São Paulo
         Novecento, Firenze. © Giulia Cenci


                                            “Many works are new productions created specifically for this edition. This
                                            is an important sign and proof of the great attention bestowed on the new
                                            generations of artists. It is no coincidence that the Curator has agreed to
                                            create the first College Arte in the Biennale’s history, which now flanks
                                            those dedicated to Cinema, Dance, Theatre, and Music. The past few years
                                            of the Colleges under the direct responsibility of their Artistic Directors,
                                            aided by tutors, have been very positive.”

                                            “It seemed difficult to achieve this also for the Biennale Arte. But three
                                            female artists and one male artist, chosen from among the many candidates
                                            from all over the world, see their works exhibited out of competition in the
                                            International Exhibition, with equal pride of place as their already established
                                            colleagues who have been selected by the Curator.

                                            This is an important step for La Biennale di Venezia which, through the
                                            activities of its ASAC and the establishment of an International Centre
                                            for Research on the Contemporary Arts, is becoming an increasingly
                                            important instrument of growth for female and male artists, further
                                            enhancing its historical role of producing exhibitions and festivals.”

                                            “My wish for the 59th International Art Exhibition is that we can all
                                            immerse ourselves in the “re-enchantment of the world” that Cecilia
         Kiki Kogelnik, Robots, 1966. Kiki Kogelnik
         Foundation Collection. © 1966 Kiki Kogelnik   evokes in her introduction. Perhaps this is a dream, which is another
         Foundation. All rights reserved    of the constituent elements of this Exhibition.”

         26   WORLD of ART
   23   24   25   26   27   28   29   30   31   32   33