Page 138 - World of Art Contemporary Art magazine: The 2023 Guggenheim issue
P. 138

MIRON, MIXED PAINTING ON COUCHE CARDBOARD 7.1X6.7 IN. | 18X17 CM.   NINE, PAINTING AND COLLAGE ON PAPER 11.4X15.7 IN. | 29X39.7 CM.
        FINE ART CULTURE  PAJAROS EN LA CABEZA, PAINTING ON PAPER 29.7X25.8 IN. | 75,5X65,5 CM.   NARIGUT, PAINTING AND COLLAGE ON PAPER AND PLYWOOD 15X19.6 IN. | 38X50 CM.


         VIAJE, PAINTING AND COLLAGE ON PAPER 10X12.4 IN. | 25,5X 31,5 CM.
                                                               ESPACIOS, PAINTING AND COLLAGE ON PAPER 13.2X16 IN. | 33,5X40 CM.
         LA CIUDAD, OIL PAINTING ON CANVAS 45X57 IN. | 114X146 CM.
                                                               ESPACIO, DRAWING IN BLACK AND WHITE CHINESE INK AND PENCIL 19.6X25.9 IN. | 50X66 CM.




                                   JUAN CANALS CARRERAS
                                   Lives and work in Barcelona, Spain
                                   https://www.artecanals.com | https://www.instagram.com/canalscarreras


         Juan Canals Carreras, a Catalan surrealist artist who uses psychic
         automatism as his main technique. Psychic automatism is a
         method of creating art without the control of reason, aesthetic or
         moral concerns, and external or internal influences. It is based on
         the spontaneous expression of the subconscious mind and the
         natural movement of the body. Canals recovers this procedure
         from the original surrealist movement and applies it to different
         media, such as painting, collage, engraving and sculpture. He does
         not use any symbolic or archetypal system, but rather creates his
         own iconography from random combinations of elements. He aims
         to distance himself from reality as we have constructed it and to
         create art from scratch. His works are characterized by gesturality,
         chance and uniqueness. He has been faithful to this method
         for decades, unlike most of his surrealist predecessors who
         abandoned it after a short period. As the surrealist theorist André
         Breton clarified when defining the surrealist movement: ‘pure
         psychic automatism by means of which one proposes to express…
         the real functioning of thought. Dictation of thought in the absence
         of all control exercised by reason, outside of all aesthetic and
         moral preoccupation’ (André Breton, What is Surrealism?).














                                                              It is noteworthy that Canals, being an artist with a wide trajectory,
                                                              always maintains the same interest in psychic automatism instead of
                                                              shying away from it, as happened with the vast majority of surrealist
                                                              artists in the 20th century. It is evident that he feels comfortable
                                                              in his particular annulment of reason in favor of creation. It is also
                                                              important to note that he has elaborated, without seeking it, his own
                                                              iconography, resulting from the omission of conventional realities
                                                              - internal and visible reality. After randomly converging various
                                                              strokes, pigments, cuts, and so on, almost identically through the
                                                              automatic procedure, our protagonist has found a particular and
                                                              unique arrangement of images that sometimes practically repeat
                                                              themselves . The fruit of his experimentation for decades has
                                                              led him to this discovery, remaining faithful to not falling into the
                                                              reproduction of realities.


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