Page 22 - World of Art magazine (2000)
P. 22

LiGia Podorean eKstrÖM   sWeden

         ligia  podorean-Ekström  born  in  transylvania,  romania.   architect ab stockholm sweden. 1988-98 arranges several   sweden.  1988  borlanges  art  Fair  sweden.  1989  vienna
         Graduated from bucharest school of architecture 1958.   courses in watercolor in sweden, Finland, denmark and   austria. 1991 the art Fair of neuchatel switzerland. 1991
         eMployMent  and  projects  1958-76  architect  and   switzerland. 1989-93 arranges several private courses in   saltskogsgård södertälje sweden. 1993-97 the 1 st , 2 nd , 3 rd ,
         urbanism for several projects of town planning in romania.   watercolor technical presentation of architectural projects   4 th , and 5 th  international Exhibitions of miniature of art, art
         1962-63 drawing and art decoration at the Jasi art school in   for architects in sweden and denmark. 1991 Works at the   addition int’l Gallery,sweden. 1994-97 the 1 st , 2 nd , 3 rd  and 4 th
         moldavia romania. 1964 perspective at the civil engineer   architecture project “stockholms förnyelse”. 1994 Works   international Female artist’s art Exhibition, art addiction
         high  school  in  Jasi.  1977  married  the  swedish  writer   at the project “sarajevo now”.  stockholm sweden. 1997 “a better World for our children”
         per-olof  Ekström  and  emigrated  to  sweden.  1983-92   group exhibition and art Fairs 1979-80 stockholm   international Female artist’s art Exhibition, art addiction
         teaches  watercolor  painting  at  art  schools  in  sweden.   and  mantorp  sweden,  ribe  and  viborg  denmark,   stockholm sweden. 1998 the 1 st  and 2 nd  “masks in venice”
         1985: arranges painting courses for swedish architects in   bucharest  and  art  museum  constanta  romania.  1983-  small forms international art exhibition palazzo correr /
         romania. 1987-89 teaches watercolor, drawing, art history   84  toronto  canada,  heidelberg  Germany,  stockholm,   art addiction venice italy. 1998-99 the 1 st  and 2 nd  autumn
         at  the  academy  of  art  of  närpcs  Finland.  1987  starts   östersund  sweden,  vienna  austria.  1985    padova  italy.   annual in venice, international small forms art exhibition
         her private architecture office and art office in sweden.   1981  art  association  of  Foreign  artists  in  stockholm   palazzo correr / art addiction venice italy. 1999 the 1 st
         1989-93  Employed  as  architect  and  artist  by  stjernan   sweden.  1981  svea  gallery  20 th   anniversary, stockholm   spring annual in venice, international art exhibition
          Words by Mircea deac
                                         tHe nortH

                         LiGHts of


          Few  regions  of  Europe  seem  to  have  such   What Ligia Podorean-Ekström has achieved in   colors. In defining her work which is being more
         intensely rich and diverse scenery, such picturesque   her pictures will be to many a striking disclosure,   and more appreciated, we may stress her gift of
         settlements as the northern countries. The seas   even to the calm and self-controlled Northerner   catching the natural effects of light through clear
         and oceans which wash their shores jagged by   who will find new sea- and landscapes full of color   colors and of rendering the specific local character
         fiords, their small islands, rocky tablelands and   exuberance and light. It seems that just as the   significantly and truly.
         fresh water lakes, their mountains and woods   Gulfstream has brought the warmed waters of the   She is attracted by real life and loves the exact
         which shield towns and villages, their gay cottages   Tropics to the Scandinavian coast, so has Ligia   fact. Although the details she ‘observes and notes
         with luxuriant gardens, the ports and modern   brought the brilliant colors and light of the South   down are sometimes minute, they do not exclude
         buildings, the old and the new town are only   to the northern countries. Her palette, rich in   the spontaneous creation or casual and imagined
         some of the “wonders” which begin to draw   colors, rather latin through the warmth of her   particulars. In order to define the painter’s aesthetic
         artists anxious to catch the less-known beauty   spontaneous  and  explosive,  yet  harmonious   outlook we have to start from the visual truth,
         spots, which have increasingly become sources of   handling has fitted in with the northern light,   the perception which is conveyed to the artist
         aesthetic delight. The painter Ligia Podorean has   the Danish and Swedish sea and landscapes,   through her senses.
         rendered the images of these novel beauty spots   which have been visualized in her canvases in   Ligia Podorean was born in Romania, in a
         with sincerity and spontaneity.    terms of light.                     mountain village of Transylvania. She studied
          In her pictures she unites the talent of an artist   Her oil paintings and watercolors obviously unite   architecture  in  Bucharest.  From  the  plastic
         born under the Latin climate of Romania, loving   the objectivity and precision of the architect who   viewpoint she is inclined to use pure colors, without
         the sunshine and light, a keen spirit of observation   discovers, “builds” and changes the landscape,   being preoccupied with matter, volume, line or
         and the scientific precision, which her profession   with the talent of the artist who has a keen eye   outline. Her only concern is with her own pleasure
         as an architect has marked her, with her love for   for color. The outcome of this combination is an   and aesthetic delight. Light and color have given
         the northern countries strengthened by family ties,   original, expressive and highly personal style. It   her a spontaneous and creative impulse. Visual
         interest in art and friend-ship with artists. It is the   is the watercolor technique she prefers, because   perception and emotion are prevailing in her work.
         latter that has prompted her to set up the circle of   of its fluidity and transparency better suited to   They have raised her liberty of creation to an
         painters known as the Swedish Group.  rendering and suggesting the northern light and   aesthetic and technical artistic ideal.  »

















                                            venezia, 1998 watercolor 40 x 50 cM, 15¾x 19½ in   aMsterdaM, 1992  watercolor 29 x 42 cM, 11½  x 16½  in







         lausane
         1999 drawing
         22,8 x 18,5 cM, 9 x 7¼ in





         20      world of art     spEcial issuE 2000
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