Page 124 - La Biennale di Venezia issue of World of Art Magazine

contemporary artists in la Biennale di Venezia issue ART WORK FROM “DXOM” SERIES, 2019 DIPTYCH, VERSION 14/15, ACRYLIC ON CANVAS 100 X 70 CM.

IZTOK ŠMAJS MUNI
Lives and works in Velenje, Slovenija
https://www.hopna.net/smajs/

1) The reduced view in the photo is partly subconscious, and yet for the maximalistically painted landscape. Visual sets create a
utterly considered. The surfaces fascinating the painter are extremely mutual impression of an inexhaustible repetitive impulse charged
minimalist, ethereal, virtually flirting with the notion of indistinctness. with organized optical surface. The waning and rising, and the
The unified photographic-visual field suggests a multitude of emotions, partitive optical play in motion inside the installation. All the pills in
and is never monosemantic - which was the purpose of the seventies spacelessness caught in the fishing net. Visual elements directed
trends in painting. The analytical nature is intertwined with the poetic towards extreme dematerialization; a medium as a message; a recipe
charge of every photograph. The energy forces imply a profound and as a message and the basis for the essence of return.
all-encompassing feeling of fundamental causation (water, various 3) To paint with thoughts without touching for the new era. Thought
substances). with touches. Harmonious syllables gurgle the river bed. Metaphors
2) The available visual elements designed by the painter as as,methods of socialization. A multitude of painting and drawing
garments for a kind of mise-en-scene are a kind of raison desire strategies. Heterogeneous and unified, focused and accidental.

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