Page 46 - La Biennale di Venezia issue of World of Art Magazine
P. 46

LA BIENNALE DI VENEZIA
         58TH INTERNATIONAL ART EXHIBITION


                                   LUXEMBOURG
                                   Written By Water

               LEFT TO THEIR OWN FATE #2  Commissioner: Ministry of Culture of Luxembourg.
                  MARCO GODINHO, LEFT   Curator: Kevin Muhlen.
                  TO THEIR OWN FATE #2,   Exhibitor: Marco Godinho.
                2019, RESEARCH MATERIAL.   Venue: Arsenale
                 COURTESY OF THE ARTIST.
                 PHOTO: MARCO GODINHO

                                                              In line with the main themes that guide his artistic approach,
                                                              Marco Godinho’s work for the Luxembourg Pavilion looks at the
                                                              relationships that mankind entertains with the sea. Always in
                                                              search of new horizons, the Portuguese-born artist is a nomadic
                                                              explorer of the geographical, political and philosophical margins and
                                                              boundaries of the world in which he lives. Throughout the centuries,
                                                              the sea has fascinated humans and given birth to countless legends
                                                              and projections, prompting men and women to embark on daring
                                                              exploratory journeys that have durably changed and defined our
                                                              perception of the world. Yet beneath the romantic veneer of an epic
                                                              space that kindles the imagination lurks a more complex geopolitical
                                                              dimension. The beginning of the twenty-first century will forever be
                                                              marked by the waves of migration from South to North. Written by
                                                              Water is an odyssey that takes the reverse path of today’s migratory
                                                              routes across the Mediterranean, the cradle of modern society
                                                              and birthplace of founding narratives that underpin our common
                                                              heritage. In his installation for the Luxembourg Pavilion, Godinho
                                                              creates an organic landscape imbued with its own temporality.
                                                              Here, the sea appears as a world in perpetual motion in which the
                                                              thoughts and memories associated with it become unspecified
                                                              nomadic variables, a space onto which spectators can project their
                                                              own stories cued by the elements assembled by the artist. (excerpt)
                                   MADAGASCAR

                                   I Have Forgotten The Night
                    I HAVE FORGOTTEN   Commissioner: Ministry of Communication and Culture of the Republic of Madagascar.
                      THE NIGHT, 2019  Curators: Rina Ralay Ranaivo, Emmanuel Daydé.
                    COURTESY OF JOËL   Exhibitor: Joël Andrianomearisoa.
                   ANDRIANOMEARISOA  Venue: Arsenale
                      © PATRICE SOUR

         Madagascar will take part in the 58th International Art Exhibition
         of La Biennale di Venezia with its own pavilion for the first time
         in its history. Joël Andrianomearisoa was chosen to represent his
         country alongside curators Rina Ralay Ranaivo and Emmanuel
         Daydé, due to the invention and maturity of his work, his
         international reputation as well as the unconditional support of
         his professional network. This first International Art Exhibition
         of La Biennale di Venezia is a historic event for Madagascar. It
         is a sign of dynamism and modernity for the Malagasy nation.
         It reflects a positive image of the country at national and
         international levels, despite the all too frequent predominance
         of either exotic or miserable images associated with it. It is a
         message of hope and willingness to put the creative forces of
         Madagascar in the mainstream of the world. The artist’s work
         develops around a non-explicit, often abstract, narration, which
         everyone perceives yet cannot put a name to. His world of forms
         weaves his work into sequences often mired in a deep sadness
         caused by an absence that is impossible to fill. And for that he
         uses, in no particular hierarchical order, sound in its immaterial
         dimension or the book in its hyper materiality, silky textile or
         rough plastic, black or the most shimmering colors. (excerpt)


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