Page 50 - La Biennale di Venezia issue of World of Art Magazine
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LA BIENNALE DI VENEZIA
         58TH INTERNATIONAL ART EXHIBITION


                                   NEW ZEAL AND
                                   Post Hoc

                POST HOC VISUALIZATION;   Commissioner: Dame Jenny Gibbs.
                ARTIST DANE MITCHEL W1.   Curators: Zara Stanhope and Chris Sharp.
             CAPTION: DANE MITCHELL, POST   Exhibitor: Dane Mitchell.
               HOC 2019, DIGITAL WORKING   Venue: Palazzina Canonica, Riva Sette Martiri
                  DRAWING © THE ARTIST.


                                                              In the New Zealand Pavilion, located at the Palazzina Canonica – the
                                                              former headquarters of exhibition partner the Istituto di Scienze
                                                              Marine (CNR-ISMAR) – Mitchell has installed an anechoic chamber,
                                                              or echo-free room, to transmit his broadcast. An electronic voice
                                                              utters the names of vast lists of bygone phenomena composed of
                                                              millions of entities, which the artist has researched and catalogued.
                                                              Ranging from extinct plant species and extinct oceanic mammals,
                                                              lost islands, former national anthems, forgotten languages, obsolete
                                                              media formats, impossible colors, lost archives, abandoned laws
                                                              to disbanded political parties (to name just a few), the colossal
                                                              inventories revive, if only for a moment, diverse muted histories.
                                                              The inventory of missing things is so large that Post hoc never
                                                              repeats the names it broadcasts throughout the entire duration
                                                              of the Biennale Arte 2019. Indeed, Mitchell’s lists are ultimately
                                                              open-ended and incomplete and will continue to grow beyond
                                                              the exhibition. Variably meticulous, arbitrary, and subjective, the
                                                              process of constructing the lists has also relied on the availability
                                                              and veracity of multiple records; therein Post hoc signals the
                                                              contingent process of constructing history and knowledge in this
                                                              post-truth moment. (excerpt)


                                   NORDIC COUNTRIES
                                   Weather Report : Forecasting Future
               ANE GRAFF 2019 STATES OF   Commissioner: Leevi Haapala / Museum of Contemporary Art Kiasma / Finnish National Gallery, Katya García-Antón /
               INFLAMMATION DETAIL OF A   Office for Contemporary Art Norway (OCA), Ann-Sofi Noring / Moderna Museet.
               WORK IN PROGRESS VARIOUS   Curators: Leevi Haapala, Piia Oksanen.
              MATERIALS PHOTO: RH STUDIO
                  COURTESY THE ARTIST.  Exhibitors: Ane Graff, Ingela Ihrman, nabbteeri.
                                   Venue: Giardini
         The exhibition Weather Report: Forecasting Future in the Nordic
         Pavilion is themed around the complex and varied relations
         between the human and nonhuman in an age when climate
         change and mass extinction are threatening the future of life on
         Earth. When imagining the future, humans face the responsibility
         of acknowledging multispecies entanglements and the need to
         renegotiate existing interspecies relations.
         It is often difficult for humans to notice life forms that exist on
         a scale different from theirs, such as microscopic organisms,
         the slow workings of toxic agents, or durational processes of
         decaying organic matter. By heightening the visitors’ awareness
         of the materiality of the space and the artworks, and by
         assimilating their bodies to other life forms, the exhibition
         attempts to establish a connection with more-than-human
         agencies.
         The biennial gardens are bordered by the Venetian Lagoon, a
         tourist-infested city, and hubs of mainland industry, all spurring
         contemplation of the eco-crisis, the erosion caused by centuries
         of mass tourism, and the survival prospects of marine species
         native to the lagoon, which compete for space with massive
         cruise ships. The pavilion itself is susceptible. (excerpt)


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