Page 51 - La Biennale di Venezia issue of World of Art Magazine
P. 51

NORTH MACEDONIA
                                   Subversion To Red
              NADA PRLJA, RED-INESS, 2013   Commissioner: Mira Gakina.
              VIDEO, VIDEO, SINGLE SCREEN,   Curator: Jovanka Popova.
                5 MIN., LOOP. PHOTO VIDEO   Exhibitor: Nada Prlja.
             STILL COURTESY OF CALVERT 22
                       FOUNDATION.  Venue: Palazzo Rota Ivancich, Calle del Remedio, Castello 4421


                                                              In response to May You Live In Interesting Times, selected by the
                                                              curator Ralph Rugoff as the theme of the Biennale Arte 2019,
                                                              Nada Prlja’s project Subversion to Red provocatively stimulates
                                                              the search for alternative forms of art and socio-political
                                                              formations, by revisiting specific concepts and societal models
                                                              from the past.
                                                              The interdisciplinary exhibition, in which installation and
                                                              performative practices co-exist, exemplifies the Macedonian
                                                              artist’s highly particular theoretical and visual approach in the
                                                              world of art today.
                                                              Related to Rugoff’s concerns about current conditions, Nada
                                                              Prlja’s project encourages a return to the ‘forgotten’ notions of
                                                              idealism and ideology, as a form of motivation in contemporary
                                                              society. It proposes a re-reading and de/re-construction of the
                                                              postulates of Marxist theory and Leftist thought, in order to seek
                                                              their compatibility with today’s society, by introducing subversive
                                                              qualities and the playfulness of the artist’s practice, as a way of
                                                              indirectly influencing reality. (excerpt)





                                   PAKISTAN
                                   Manora Field Notes
                  NAIZA KHAN, BUILDING   Commissioner: Syed Jamal Shah, Pakistan National Council of the Arts, PNCA.
                 TERRAIN III, 2013, GICLÉE   Curator: Zahra Khan.
                   PRINT, 93 X 129.5 CM.   Exhibitor: Naiza Khan.
               COURTESY THE ARTIST AND
                            ROSSI.  Venue: Tanarte, Castello 2109/A and Spazio Tana, Castello 2110-2111

         The Pavilion of Pakistan will unfold across three interconnected
         spaces. Central to the installation are archival materials, found by
         Khan in the ruin of the 19th-century Manora Observatory. These
         include the 1939 India Weather Review, a record of weather reports
         from across British India, which form the basis of a sound piece
         and a series of cast objects in brass. Manora Field Notes will also
         include a multi-screen video installation, created from footage shot
         on the island over the past decade, bringing together narratives
         exploring geographies and shared histories.
         Responding to the overarching theme of the 58th International Art
         Exhibition of La Biennale di Venezia May You Live in Interesting
         Times, curator Zahra Khan explains: “Artists speak clearly and
         powerfully about issues of identity, community, migration and
         history. Pakistan’s presentation encourages the vision of the artist
         as a lens through which the public can see the world, offering
         viewers a glimpse of the sights and sounds of daily life upon
         Manora Island and by extension into Pakistan and the surrounding
         landscape.” (excerpt)




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