Page 61 - World of Art Contemporary Art magazine: The 2023 Guggenheim issue
P. 61

Eva Hesse. Expanded Expansion, 1969 Fiberglass, polyester resin, latex,
                                                              and cheesecloth, Width variable; approximately 10 feet 2 inches x 25 feet
         living space through unedited footage captured on film
                                                              (309.9 x 762 cm) overall Solomon R. Guggenheim Museum, New York Gift,
         by Dorothy Beskind, and in an interview with Hesse by   Family of Eva Hesse, 1975
         art historian and activist Cindy Nemser - uncovering the
         artist’s ideas about the connections between her life and
         her art: “I remember always working with contradictions   Installation view, Eva Hesse:Expanded Expansion, Solomon R. Guggenheim
         and contradictory forms, which is my idea also in life,   Museum. Photo: David Heald © Solomon R. Guggenheim Foundation,
         the whole absurdity of life, everything for me has always
         been opposites, nothing has ever been in the middle. . .
         . it was always more interesting than making something
         average, normal, right-size.”- Eva Hesse
         The show surveys the temporalities of exhibition and
         interpretation, elucidating the contextual nature of
         perception and the complexities around preservation
         and stewardship. Hesse was well aware of the fragility
         of her chosen media, yet ambivalent about their
         accelerated demise over time, leaving the museum with
         a lasting question regarding her feelings about Expanded
         Expansion’s physical changes. Despite its shifts in color
         and increasing rigidity, the piece still holds tremendous
         power as a testament to the pioneering artist who,
         despite her untimely death in 1970, left a body of work   Eva Hesse: Expanded Expansion is curated by Lena
         that pushed sculpture beyond Minimalism and Abstract   Stringari, Deputy Director and Andrew W. Mellon Chief
         Expressionism, and continues to deeply influence and   Conservator, with the collaboration of Richard Armstrong,
         inspire artists today.                               Director, and Esther Chao, Objects Conservator.



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