Page 95 - The Venice Biennale 2001 issue of World of Art Magazine
P. 95

ARTisTic pROfiLe                                               pALmi mARZAROLi /SITZErlAnd


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                                                                                               The work of Palmi
                                                                                               Marzaroli is
                                                                                               characterized by the
                                                                                               strong expression of its
                                                                                               China ink colors.
                                                                                               Although taking his
                                                                                               inspiration mainly from
                                                                                               reality (landscapes, still
                                                                                               lives, figures), Marzaroli
                                                                                               do nor limit to it,   by gaetano cristino
                                                                                               reducing to the essential
                                                                                               the naturalistic and
                                                                                               descriptive aspects.
                                                                                               In its paints are
                                                                                               essentially prevailing the
                                                                                               colors mote than
                                                                                               description itself. The
                                                                                               primary colors rise in
                                                                                               their splendor prevailing
                                                                                               on the content and
                                                                                               suggesting strong
                                                                                               emotions.
                                                                                               Paints from Marzaroli
                                                                                               are in fact very often
                                                                                               a symphony of which
                                                                                               tones obtained from
                                                                                               clever dosing of
                                                                                               shadings prevail on
                                                                                               tonality, breaking the
                                                                                               objectives of the visual
                                                                                               perception into
                                                                                               aggregates of colors,
                                                                                               sending the spectator
                                                                                               back to his sensibility,
                                                                                               as if participant to the
                                                                                               happiness of creating,
                                                                                               and giving him the
                                                                                               chance through the
                                                                                               colors, of a double
                                                                                               experience, of
                                                                                               interaction between
                                                                                               external reality and
                                                                                               interior world.
       Above: Paysage chromatique                                                              That is why “Italian
            2000 Ink on paper                                                                  landscapes”, “flower
         cm. 60x80 / in. 23½x31½                                                               pots” or figures of
                                                                                               oldsters and playing
          right: Soleil d’Automne                                                              musicians, though
            2000 Ink on paper                                                                  recognizable, become
          cm. 24x31 / in. 9½x12½
                                                                                               gradually painting
                                                                                               material, light, emotion
                                                                                               and finally reflection on
                                                                                               progressive indifference
                                                                                               of contemporary men on
                                                                                               nature and its fellow-
                                                                                               men.
                                                                                               An alienation to which
                                                                                               only Art can give
                                                                                               remedy.

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